Well, there was no use waiting. Again I must plunge into the unknown.
Connie was waiting! I wondered how honourable Danjuro was getting on,
and laid myself long odds that he wasn't having such an exciting time as
I was! How he would stare if he came back to "The Miners' Arms" in a
few hours and found me there with Connie, and the artistic Mr. Vargus
cooling down in the patent _papier mâché_ handcuffs from Japan! Mr.
Trewhella of the inn had shown me a large pig, which he called "Gladys,"
and of which he was fond. There was a vacant and stoutly-built sty next
door, which would be an excellent place of confinement for the
interpreter of Chopin!
... Yes, I thought these thoughts, even at that moment. I was madly
exhilarated. Everything had gone so easily and well. I stepped into the
lift humming a song. It was the old chanty that the pirates had roared
in the inn two short hours ago:
"_Fifteen men on the dead man's chest._"
There was a looking-glass on one side of the lift--probably the thing
had been bought entire at some sale--and I saw myself in it. The song
died away. Whose was this grim and terrible face, gashed with deep
lines, with eyes that smouldered with a red light? Mine? I have told you
how Danjuro looked when the bloodhound that he was emerged for an
instant from behind the bland Oriental mask. There was not a pin to
choose between us.
The lift sank slowly. Every second I expected the soft jerk of its
stopping. But the seconds went on. Down and down, what cellar was it
that lay so low? Were we dropping to the centre of the earth? It seemed
an age before the motion slowed, and I had already obtained an inkling
of the truth when a dim archway rose up before me, and the machine came
to rest.
This was no cellar. I was deep down in Tregeraint Mine, which must run
under the house itself! In the necessity for fox-like caution, I did not
follow out the thought--not yet. But I believe that the subconscious
brain had already seen far into the mystery....
I stepped out into a mine cutting. The walls were cut in the rock, and
the roof here and there shored up with heavy timber props. It was wide
enough for two men to walk abreast, and quite eight feet high. Every
fifteen yards or so hung a roughly-wired electric lamp, and the floor
was beaten hard by the passage of many feet. The air was hot and
stagnant.
I prowled down this passage without a sound, my pistol in my hand, ready
to shoot at sight, but for what seemed an interminable time I met no
one, and saw nothing but the damp walls, here and there sparkling with
yellow pyrites and the green of copper.
Public-domain text, read in full here on John Shaqi.
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