The Albert Gate Mystery: Being Further Adventures of Reginald Brett, Barrister DetectiveTracy, Louis
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The Albert Gate Mystery: Being Further Adventures of Reginald Brett, Barrister Detective
Tracy, Louis
Detective and mystery stories
"Now I wonder," said Brett, "why the Turks left the Frenchman alone in
No. 11. It is odd, to say the least of it. Since the dramatic discovery
of the spurious diamonds this morning they must be even more in the
dark than I am. It must be looked into, but I cannot attend to it now.
At this moment, if I am not mistaken, the centre of interest is the Café
Noir."
The two men occupied a sitting-room on the first floor of the hotel, and
their respective bedrooms flanked it on each side. Brett explained that
he could not tackle the table d'hote dinner, so he made a hasty meal in
their sitting-room and then excused himself whilst he retired to his
bedroom to change his clothing.
He was absent some twenty minutes, and Fairholme amused himself by
glancing over the copies of the day's London newspapers which had
recently arrived. Suddenly the door of Brett's bedroom opened, and a
decrepit elderly man appeared, a shabby-genteel individual, disfigured
by drink and crumpled up by rheumatism.
"Who the devil----" began Fairholme.
But he was amazed to hear Brett's familiar voice asking--
"Do you think the disguise sufficiently complete?"
"Complete!" shouted Fairholme, "why, your own mother would not know you,
and your father would probably punch me for suggesting that it could be
you."
"That is all right," said the barrister cheerfully. "I will now proceed
to get quietly drunk at the Café Noir. Good-bye until seven o'clock
to-morrow morning--perhaps earlier, and perhaps--well, no--until seven
o'clock!"
They shook hands and parted, and not even Brett, the cleverest amateur
detective of his day, could have remotely guessed where and how they
would meet next.
Montmartre by day and Montmartre by night are two very different places.
This Parisian playground, perched high on the eminence that overlooks
the Ville Lumière, does not wake to its real life until its repose is
disturbed by the lamplighter. Then the Moulin Rouge, festooned with
lamps of gorgeous red, flares forth upon an expectant world. The Café de
l'Enfers opens its demoniac mouth to swallow ten minutes' audiences and
vomit them forth again, amused or bored, as the case may be, by the
delusions provided in the interior, whilst other questionable resorts
shout forth their attractions and seek to beguile a certain number of
sous from the pockets of sightseers.
The whole district is a place of light and shade. It is artificial in
every brick and stone, in the pose of every stall, the lettering of
every advertisement. And it flourishes by gaslight; by day it is garish
and forlorn.
Public-domain text, read in full here on John Shaqi.
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