The Alhambra and the Kremlin: The South and the North of EuropePrime, Samuel Irenæus
History
The Alhambra and the Kremlin: The South and the North of Europe
Prime, Samuel Irenæus
Europe -- Description and travel
We have been passing across Lake Malar. But now, at seven in the
evening, we enter a lock, and the Gota Canal begins. The village of
_Sodertelje_ receives us here. So sweet does it seem to be, in its quiet
repose, that every house appears to invite you to stop and make a visit.
It was at this point that St. Olaf, when a viking, was shut in by the
fleets of the Swedes and Danes, and he cut his way out, not through the
enemies’ fleets, but by digging a canal to the Baltic! This was in the
eleventh century, and no such feats of rapid canalling were known from
that time down to the Dutch Gap ditch, during the late war in America.
The story of the saint is history, and the other one will not be
forgotten.
The passage of the lock from the lake to the canal is tedious, but in
the mean time the villagers come on board and greet friends, the
children, as in all other countries, ply their sales of cake and fruit,
till we are out and enter the Gota Canal. The banks for some time are
fifty feet high, but they slope away gradually, and are beautiful in
their green sod. Neat cottages and wooded walks and gardens, signs of
taste and culture, and plenty, are on our right hand and left; and these
dwellings are so near that the canal seems a street like those of
Venice, where you step from the gondola to the marble threshold of your
house. Passengers on board recognize their acquaintance, and exchange
salutations. Now and then an old mansion, with many out-buildings, shows
that an extensive farm is behind; and occasionally we pass a village
which appears to be of modern creation, as if progress was making even
in Sweden. We are following the course of the very same canal that St.
Olaf, the viking, cut in such a hurry eight hundred years ago, and we
soon come to the end of it, and run again into the sea, or a bay of the
Baltic, and keep along the coast, among a wilderness of islands,
touching now and then at one of them to drop or take a passenger. Heaps
of rock on the points are painted white to guide us in the mazes of
these intricate passes, and sometimes trees have been moored in the
water to mark the pathway of the ship. Ruins of castles, each one of
which has its legends as romantic as those of the Rhine, still haunt
these rocks. Stegeborg Castle is the most picturesque in its solitary
grandeur and desolation, and the traditions of the country associate it
with many a hard-fought fight in times so far gone by that history is
rather too romantic to be credited.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account