“A volume which is not only rich in elaborate reproductions of Moorish designs in outline and colour, but is animated by a warm admiration for the great race which has left us so many tributes to beauty. Modestly as Mr. CALVERT states his claims, the reader should not neglect his eloquent introduction, in which he reminds us that it was to the Moslem Spain first owed some permanent national organisation.... The present condition of the monuments which remain is briefly described in subsequent chapters dealing with Cordova, Seville, and Toledo. Mr. CALVERT’S thorough study of Arabian work enables him to give the student valuable aid in distinguishing what are the monuments which belong to the golden age of Islamic achievement. He shows how little there is of this time in Seville, though Spanish taste endeavoured to maintain the tradition for four centuries after the Moorish spirit had given way before the conquering Christian.”--_Morning Post._ “The book gives a vivid idea of the present state and former magnificence of Moorish buildings in the three Spanish cities which its author now describes; while the illustrations, which include upwards of eighty coloured plates, and an immense number of photographic halftones, are exceptionally good.”--_Standard._ “An examination of the book reveals at once the fact that it is very well illustrated; while the author brings to his work an unmistakable freshness and vigour, brought about by prolonged visits to the places described, and gives evidence of the possession of the observing eye and a facility for expressive description.”--_Evening Standard._ “It is really impossible to do justice, in a journal of this kind, to the sumptuous volume (its price is two guineas and the book is worth it) before us. To do that--to give the reader any adequate notion of the beauty of the illustrations with which it is enriched--we should have to summon all the resources of the colour printer’s art to our assistance, in order to reproduce them in a special _edition de luxe_ of the “P.M.G.” Inasmuch as that is not to be done, we must ask the reader to take it on trust from us that the illustrations of Moorish decorative art are something quite out of the common.... The making of this book must, surely, have been a labour of love; and love’s labour has certainly not been lost.”--_Pall Mall Gazette._