Verhalen over het gebouwencomplex in Granada, dat eigendom was van de laatste islamitische vorsten in Spanje.
After a time the throng again poured forth, and dispersed various ways,
to enjoy the light of the sun and mingle with the stirring scenes of
life; but the victim, with her bridal chaplet, was no longer there. The
door of the convent closed that severed her from the world forever. I
saw the father and the lover issue forth; they were in earnest
conversation. The latter was vehement in his gesticulations; I expected
some violent termination to my drama; but an angle of a building
interfered and closed the scene. My eye afterwards was frequently turned
to that convent with painful interest. I remarked late at night a
solitary light twinkling from a remote lattice of one of its towers.
“There,” said I, “the unhappy nun sits weeping in her cell, while
perhaps her lover paces the street below in unavailing anguish.”
--The officious Mateo interrupted my meditations and destroyed in an
instant the cobweb tissue of my fancy. With his usual zeal he had
gathered facts concerning the scene, which put my fictions all to
flight. The heroine of my romance was neither young nor handsome; she
had no lover; she had entered the convent of her own free will, as a
respectable asylum, and was one of the most cheerful residents within
its walls.
It was some little while before I could forgive the wrong done me by the
nun in being thus happy in her cell, in contradiction to all the rules
of romance; I diverted my spleen, however, by watching, for a day or
two, the pretty coquetries of a dark-eyed brunette, who, from the covert
of a balcony shrouded with flowering shrubs and a silken awning, was
carrying on a mysterious correspondence with a handsome, dark,
well-whiskered cavalier, who lurked frequently in the street beneath her
window. Sometimes I saw him at an early hour, stealing forth wrapped to
the eyes in a mantle. Sometimes he loitered at a corner, in various
disguises, apparently waiting for a private signal to slip into the
house. Then there was the tinkling of a guitar at night and a lantern
shifted from place to place in the balcony. I imagined another intrigue
like that of Almaviva, but was again disconcerted in all my
suppositions. The supposed lover turned out to be the husband of the
lady, and a noted contrabandista; and all his mysterious signs and
movements had doubtless some smuggling scheme in view.
--I occasionally amused myself with noting from this balcony the gradual
changes of the scenes below, according to the different stages of the
day.
Public-domain text, read in full here on John Shaqi.
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