Verhalen over het gebouwencomplex in Granada, dat eigendom was van de laatste islamitische vorsten in Spanje.
As night closes, the capricious scene assumes new features. Light after
light gradually twinkles forth; here a taper from a balconied window;
there a votive lamp before the image of a Saint. Thus, by degrees, the
city emerges from the pervading gloom, and sparkles with scattered
lights, like the starry firmament. Now break forth from court and
garden, and street and lane, the tinkling of innumerable guitars, and
the clicking of castanets; blending, at this lofty height, in a faint
but general concert. “Enjoy the moment” is the creed of the gay and
amorous Andalusian, and at no time does he practise it more zealously
than on the balmy nights of summer, wooing his mistress with the dance,
the love-ditty, and the passionate serenade.
I was one evening seated in the balcony, enjoying the light breeze that
came rustling along the side of the hill, among the tree-tops, when my
humble historiographer Mateo, who was at my elbow, pointed out a
spacious house, in an obscure street of the Albaycin, about which he
related, as nearly as I can recollect, the following anecdote.
THE ADVENTURE OF THE MASON
There was once upon a time a poor mason, or bricklayer, in Granada, who
kept all the saints’ days and holidays, and Saint Monday into the
bargain, and yet, with all his devotion, he grew poorer and poorer, and
could scarcely earn bread for his numerous family. One night he was
roused from his first sleep by a knocking at his door. He opened it, and
beheld before him a tall, meagre, cadaverous-looking priest.
“‘Hark ye, honest friend!’ said the stranger; ‘I have observed that you
are a good Christian, and one to be trusted; will you undertake a job
this very night?’
“‘With all my heart, Señor Padre, on condition that I am paid
accordingly.’
“‘That you shall be; but you must suffer yourself to be blindfolded.’
“To this the mason made no objection. So, being hoodwinked, he was led
by the priest through various rough lanes and winding passages, until
they stopped before the portal of a house. The priest then applied a
key, turned a creaking lock, and opened what sounded like a ponderous
door. They entered, the door was closed and bolted, and the mason was
conducted through an echoing corridor and a spacious hall to an interior
part of the building. Here the bandage was removed from his eyes, and he
found himself in a patio, or court, dimly lighted by a single lamp. In
the centre was the dry basin of an old Moorish fountain, under which the
priest requested him to form a small vault, bricks and mortar being at
hand for the purpose. He accordingly worked all night, but without
finishing the job. Just before daybreak the priest put a piece of gold
into his hand, and having again blindfolded him, conducted him back to
his dwelling.
“‘Are you willing,’ said he, ‘to return and complete your work?’
“‘Gladly, Señor Padre, provided I am so well paid.’
“‘Well, then, to-morrow at midnight I will call again.’
“He did so, and the vault was completed.
Public-domain text, read in full here on John Shaqi.
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