French fiction -- Translations into English; Philosophical anthropology -- Fiction
Such was their first meeting: the mysterious light of the picture
gallery, the stillness of the old house, the presence of their elders,
all contributed to trace upon their hearts the delicate lines of this
vaporous mirage. The many confused thoughts that surged in Marguerite’s
mind grew calm and lay like a limpid ocean traversed by a luminous ray
when Emmanuel murmured a few farewell words to Madame Claes. That voice,
whose fresh and mellow tone sent nameless delights into her heart,
completed the revelation that had come to her,--a revelation which
Emmanuel, were he able, should cherish to his own profit; for it often
happens that the man whom destiny employs to waken love in the heart
of a young girl is ignorant of his work and leaves it unfinished.
Marguerite bowed confusedly; her true farewell was in the glance which
seemed unwilling to lose so pure and lovely a vision. Like a child
she wanted her melody. Their parting took place at the foot of the old
staircase near the parlor; and when Marguerite re-entered the room she
watched the uncle and the nephew till the street-door closed upon them.
Madame Claes had been so occupied with the serious matters which caused
her conference with the abbe that she did not on this occasion observe
her daughter’s manner. When Monsieur de Solis came again to the house
on the occasion of her illness, she was too violently agitated to notice
the color that rushed into Marguerite’s face and betrayed the tumult of
a virgin heart conscious of its first joy. By the time the old abbe was
announced, Marguerite had taken up her sewing and appeared to give it
such attention that she bowed to the uncle and nephew without looking at
them. Monsieur Claes mechanically returned their salutation and left
the room with the air of a man called away by his occupations. The good
Dominican sat down beside Madame Claes and looked at her with one of
those searching glances by which he penetrated the minds of others; the
sight of Monsieur Claes and his wife was enough to make him aware of a
catastrophe.
“My children,” said the mother, “go into the garden; Marguerite, show
Emmanuel your father’s tulips.”
Marguerite, half abashed, took Felicie’s arm and looked at the young
man, who blushed and caught up little Jean to cover his confusion. When
all four were in the garden, Felicie and Jean ran to the other side,
leaving Marguerite, who, conscious that she was alone with young de
Solis, led him to the pyramid of tulips, arranged precisely in the same
manner year after year by Lemulquinier.
“Do you love tulips?” asked Marguerite, after standing for a moment in
deep silence,--a silence Emmanuel seemed little disposed to break.
“Mademoiselle, these flowers are beautiful, but to love them we must
perhaps have a taste of them, and know how to understand their beauties.
They dazzle me. Constant study in the gloomy little chamber in which I
live, close to my uncle, makes me prefer those flowers that are softer
to the eye.”
Public-domain text, read in full here on John Shaqi.
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