He had read the book, I found, with deep emotion; but he said very decidedly that it ought not to have been published, at all events so soon after the writer's death. I am inclined to defer greatly to his judgment, and still more to his taste, and I have therefore read the book again to see if I am inclined to alter my mind. I find that my feeling is the exact opposite of his in every way. I feel humbly and deeply grateful to the children who have given the letters to the world. Of course if there had been any idea in the mind of the writer that they would be published, she would probably have been far more reticent; but, as it was, she spoke with a perfect openness and simplicity of all that was in her mind. It is curious to reflect that I met the writer more than once, and thought her a cold, hard, unsympathetic woman. She had to endure many sorrows and bereavements, losing, by untimely death, those whom she most loved; but the revelation of her pain and bewilderment, and the sublime and loving resignation with which she bore it, has been to me a deep, holy, and reviving experience. Here was one who felt grief acutely, rebelliously, and passionately, yet whom sorrow did not sear or harden, suffering did not make self-absorbed or morbid, or pain make callous. Her love flowed out more richly and tenderly than ever to those who were left, even though the loss of those whom she loved remained an unfading grief, an open wound. She did not even shun the scenes and houses that reminded her of her bereavements; she did not withdraw from life, she made no parade of her sorrows. The whole thing is so wholesome, so patient, so devoted, that it has shown me, I venture to say, a higher possibility in human nature of bearing intolerable calamities with sweetness and courage, than I had dared to believe. It seems to me that nothing more wise or brave could have been done by the survivors than to make these letters accessible to others. We English people make such a secret of our feelings, are so stubbornly reticent about the wrong things, have so false and stupid a sense of decorum, that I am infinitely grateful for this glimpse of a pure, patient, and devoted heart. It seems to me that the one thing worth knowing in this world is what other people think and feel about the great experiences of life. The writers who have helped the world most are those who have gone deepest into the heart; but the dullest part of our conventionality is that when a man disguises the secrets of his soul in a play, a novel, a lyric, he is supposed to have helped us and ministered to our deepest needs; but if he speaks directly, in his own voice and person, of these things, he is at once accused of egotism and indecorum. It is not that we dislike sentiment and feeling; we value it as much as any nation; but we think that it must be spoken of symbolically and indirectly. We do not consider a man egotistical, if he will only give himself a feigned