I came the other day upon a passage in a former book of my own, where I said something sneering and derisive about the pair, and I felt deep shame and contrition for having written it--and, more than that, I felt a sort of disgust for the fact that I have spent so much time in writing fiction. Books like the Life of Carlyle and Mrs. Carlyle's Letters take the wind out of one's imaginative faculties altogether, because one is confronted with the real stuff of life in them. Life, that hard, stubborn, inconclusive, inconsistent, terrible thing! It is, of course, that very hardness and inconclusiveness that makes one turn to fiction. In fiction, one can round off the corners, repair mistakes, comfort, idealise, smooth things down, make error and weakness bear good fruit, choose, develop as one pleases. Not so with life, where things go from bad to worse, misunderstandings grow and multiply, suffering does not purge, sorrow does not uplift. That is the worst of fiction, that it deludes one into thinking that one can deal gently with life, finish off the picture, arrange things on one's own little principles; and then, as in my own case, life brings one up against some monstrous, grievous, intolerable fact, that one can neither look round or over, and the scales fall from one's eyes. With what courage, tranquillity or joy is one to meet a thoroughly disagreeable situation? The more one leans on the hope that it may amend, the weaker one grows; the thing to realise is that it is bad, that it is inevitable, that it has arrived, and to let the terror and misery do their worst, soak into the soul and not run off it. Only then can one hope to be different; only so can one climb the weary ladder of patience and faith. March 28, 1889.