In the Gospel, the two things for which it seems to be indicated that
men will be judged are, whether they have been kind, and whether they
have improved upon what has been given them. And therefore the judgment
seems to depend rather upon what men desire than upon what they effect,
upon attitude rather than upon performance. But it is all a great
mystery, because no amount of desiring seems to give us what we desire.
The two plain duties are to commit ourselves to the Power that made us,
and to desire to become what He would have us become; and one must also
abstain from any attempt to judge other people--that is the
unpardonable sin.
In art, then, a man does his best if, like Goethe, he works his own
situation into art for the consolation of gods and men. His own
situation is the only thing he can come near to perceiving; and if he
draws it faithfully and beautifully, he consoles and he encourages.
That is the best and noblest thing he can do, if he can express or
depict anything which may make other men feel that they are not alone,
that others are treading the same path, in sunshine or cloud; anything
which may help others to persevere, to desire, to perceive. The worst
sorrows in life are not its losses and misfortunes, but its fears. And
when Goethe said that it was for the consolation of gods as well as of
men, he said a sublime thing, for if we believe that God made and loved
us, may we not sympathise with Him for our blindness and hopelessness,
for all the sad sense of injustice and perplexity that we feel as we
stumble on our way; all the accusing cries, all the despairing groans?
Do not such things wound the heart of God? And if a man can be brave
and patient, and trust Him utterly, and bid others trust Him, is He not
thereby consoled?
In these dark months, in which I have suffered much, there rises at
times in my heart a strong intuition that it is not for nothing that I
suffer. I cannot divine whom it is to benefit, or how it is to benefit
any one. One thing indeed saddens me, and that is to reflect that I
have often allowed the record of old sadnesses to heighten my own sense
of luxurious tranquillity and security. Not so will I err again. I will
rather believe that a mighty price is being paid for a mightier joy,
that we are not astray in the wilderness out of the way, but that we
are rather a great and loving company, guided onward to some far-off
city of God, with infinite tenderness, and a love so great that we
cannot even comprehend its depth and its intensity.
Public-domain text, read in full here on John Shaqi.
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