political ambition and share in the dressing-gown and carpet-slipper mood
of M. Armand Fallières.
3. M. RAYMOND POINCARÉ AND THE RECORD OF M. LÉPINE
Last February (1913) must be accounted an important month in the history
of the Third French Republic. Away, after his seven years’ official
tenancy of the Élysée, went M. Armand Fallières to a comfortable
bourgeois _appartement_, there, no doubt, to recall, in dressing-gown
and carpet slippers, the rare joys and successes and the many shocks and
miseries of his Septennat, and to speculate upon the destiny reserved for
his successor, ninth President of the Republic, M. Raymond Poincaré.
No commonplace destiny—that was certain. M. Fallières took possession
of the Élysée amidst general indifference; M. Émile Loubet assumed
office amongst eggs, threats, vegetable stalks, shouts of “traitor” and
“bandit”: but M. Poincaré found Paris _en fête_—flags flying, hats and
handkerchiefs whirling, the crowd in its Sunday best—on the day that _he_
became Chief of the State.
A vast popularity, M. Poincaré’s! Exclaimed M. le Bourgeois: “At last we
have got a strong man for a President! For the first time, there will
be a master at the Élysée.” On all sides, indeed, it was agreed that
M. Poincaré’s election to the Presidency signified the collapse of the
tradition that the Chief of the State should be a figure-head, a mere
signer of documents, placed, none too ceremoniously, before him by his
Ministers.
Thus, a new régime had dawned. Poincaré was “going to wake things up”;
Poincaré was also “going to do things”; what precisely Poincaré was going
to do nobody could explain; but “Vive Poincaré,” was the cry of the
hour; and not only in luxurious, radiant Paris, but in grim, industrial
centres, dull, provincial towns, and remote, obscure hamlets. Such a
popularity that into the shop windows came Poincaré Pipes, Poincaré
Braces, Poincaré Walking Sticks, the Poincaré Safety Razor. Then, on
restaurant menus: Consommé Poincaré—Poulet Poincaré—Omelette Poincaré.
More Poincaré, smiling and bowing, on dizzy kinematograph films and in
the music hall revues; and imagine, if you can, the sale of Poincaré
photographs in the flashy arcade of the rue de Rivoli! “Poincaré and
Gaby Deslys—that’s what we are selling,” the shopkeepers stated. “But
Poincaré is surpassing the blonde, elegant Gaby.”
Public-domain text, read in full here on John Shaqi.
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