But not so Madame Juliette de Magenta, of the rue des Ténèbres, from
Morocco, St Petersburg, Constantinople and Broadway: “I hear [_sic_] the
silence, the coldness, the gloom of disappointment and disapproval,”
funereally she said. However, in spite of Madame de Magenta’s lugubrious
prognostications, the news came that M. Rostand had disposed of the
publishing rights of _Chantecler_ for one million francs; that stalls
and dress-circle seats (for the box-office was now open) for the first
three performances were selling like wildfire at six pounds apiece;
that critics and millionaires from America, and French Ambassadors and
Ministers from divers parts of Europe, and even dark-skinned, dyspeptic
merchants from Buenos Ayres, were all hastening to Paris to hear the
“cocorico” of Chantecler. What excitement, what a whirl! For the
twentieth time it was rumoured that M. Rostand had taken “the 9.39 train
back to Cambo.” Now M. Guitry had appendicitis; and Madame Simone had
injured herself by falling through a trap-door. Nevertheless, the first
performance remained fixed “most irrevocably” for 28th January—on which
day many a quarter of Paris and most of the _banlieue_ were flooded.
So, another postponement. Successively, and always “positively
irrevocably,” it was announced that the great event would take place
on 31st January, 2nd February, 5th February and 6th February. And thus
the critics and millionaires from America, the French Ambassadors and
Ministers from divers European capitals, the merchants from Buenos Ayres
(looking sallow and bloodshot from the voyage) were detained in Paris at
much personal inconvenience and loss to themselves. Nothing would move
them until they had heard the clarion cry of—“Cocorico.” And M. Pichon,
Minister of Foreign Affairs, became uneasy at the prolonged sojourn of
the Ministers and Ambassadors. “Diplomatic relations between France and
many a foreign Power are interrupted,” he cried tragically, “and all
because of a cock and a hen pheasant.” Social life, too, was interrupted.
_Le Tout Paris_ refrained from issuing dinner invitations lest they
should clash with the first performance, and countermanded rooms engaged
weeks beforehand in the Riviera hotels.
A final rumour to the effect that M. Rostand had returned to Cambo
by the 9.39 train—a train which, by the way, does not figure in the
time-table. Another _canard_ stating that M. Guitry had contracted
typhoid fever through drinking water contaminated by the floods. A
third Yellow _potin_ reporting Madame Simone to have “mysteriously,”
“sensationally” disappeared. What chaos, what incoherency! And what a
scene in the Porte St-Martin when at last, on Sunday night, 6th February,
_Chantecler_, in the presence of the most brilliant audience yet
assembled in a Paris theatre, came, crowed and conquered.
Public-domain text, read in full here on John Shaqi.
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