and feats of horsemanship on zebras from Madagascar. The interlude at
an end, the sand was re-raked. Then, preceded by the pomp of lictors,
interminable files of gladiators entered, while the eyes of the women
lighted and glowed; artistic death was their chiefest joy, for there
was no cowardice in the arena. The gladiators fought for applause, for
liberty, for death—fought manfully, skilfully, terribly too, and received
the point of the sword or the palm of victory with an equally unmoved
expression, an unchanged face. It was a magnificent conception on which
the Romans, or, more exactly, the Etruscans, their predecessors, had
devised to train their children for war and allay the fear of blood.
It had been serviceable indeed, and though the need of it had gone,
the spectacle endured, and, enduring, constituted the chief delight
of the Vestals and of Rome. By its means a bankrupt became Consul, an
Emperor beloved. It had stayed revolutions, because it was felt to be
the tax of the proletariat on the rich. Silver and bread were for the
individual, but these things were for the crowd. When evening descended,
so did torches and the Emperor to take chief part in the ballet which he
considered as the culminating point in the performance.
In a robe, immaterial as a moonbeam, his eyelids darkened with antimony,
his face painted in imitation of the courtesans who sat on high chairs
and ogled passers-by in the Suburra, he entered the arena, and there,
to the incitement of crotals, he danced with his Syrians before the
multitude, a protecting claque of 80,000 persons toasting the performer
with the magnificent cry, “Io Triumphe!” whatever they thought of its
indecency. Lampridius tells us of his importing from Egypt those little
serpents, known under the name of “good genius,” and letting them loose
amongst the audience, among whom many were bitten, many killed, in the
stampede. It was quite a likely prank to play—is even heard of to-day—but
one cannot imagine that Elagabalus wanted to disperse the audience, as
his biographer suggests, before they had witnessed the magnificence which
he had prepared for their delectation. It would have been too foolish,
especially if he wanted an appreciative reception for his own turn.
Public-domain text, read in full here on John Shaqi.
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