It was all so freakish that men might have looked and listened quietly, if the High Priest—in accordance with his scheme of reform—had not desired the assistance of his great officers of state; naturally, these men objected all the more strongly because they were perforce to profess interest in their new duties, and joyfully spread disaffection, once they were amongst the conspirators and out of the Emperor’s hearing. Lampridius’ legend of Antonine’s human sacrifices must be dealt with as another calumny. He says that the Emperor used to sacrifice young boys of the best families, preferring those whose parents were alive, and, being present, would be most grieved at the deed. In this case the refutation is scarcely needed, since the author asserts that such was the custom of the Syrian worship, whereas it is now certain that Rome had caused the cessation of human sacrifices long before the second century amongst all Semitic peoples. It is in all probability the same legend which was attached to the early Christian mysteries, and with even less reason, for while the Christian worship was in secret, and so might lend itself to the supposition of nefarious practices, that of the Sun God was public and blatantly open before the world, following a well-known and approved ritual. No, Antonine may have been mad, but there was a certain method in his madness, and this form of lunacy would only have alienated the very people he was striving so hard to win. It was in the method he failed, not in the conception, for monotheism was continually gaining ground; Paganism was obviously falling asleep quite gently; Isis was giving way to Mary, apotheosis to canonisation, and saints succeeding divinities. Antonine, with the true Eastern conception of religion, strove to impress men with his vivid monotheism by means of the magnificence of the worship, the prodigal expenditure of a gorgeous pageant. This he gave the world right royally, but it was precisely this that the austere Roman could not understand was meant to be connected with the simple philosophy of his Western religion. Antonine thought to make his God great by means of a pompous show. He succeeded in presenting him as a low comedian in the last act of a puerile melodrama; unfortunately not the first, or last, deity who has been thus presented before the eyes of an astonished world.