English fiction -- 19th century; Marriage -- Fiction
One of the good pieces of work Lord Fleetwood could suppose he had
performed was recalled to him near the turning to his mews by the
handsome Piccadilly fruit-shop. He jumped to the pavement, merely to
gratify. Sarah Winch with a word of Madge; and being emotional just
then, he spoke of Lady Fleetwood’s attachment to Madge; and he looked at
Sarah straight, he dropped his voice: ‘She said, you remember, you were
sisters to her.’
Sarah remembered that he had spoken of it before. Two brilliant drops
from the deepest of woman’s ready well stood in her eyes.
He carried the light of them away. They were such pure jewels of tribute
to the Carinthia now seen by him as worshipping souls of devotees offer
to their Madonna for her most glorious adornment.
CHAPTER XXXIX. THE RED WARNING FROM A SON OF VAPOUR
Desiring loneliness or else Lord Feltre’s company, Fleetwood had to
grant a deferred audience at home to various tradesmen, absurdly fussy
about having the house of his leased estate of Calesford furnished
complete and habitable on the very day stipulated by his peremptory
orders that the place should be both habitable and hospitable. They
were right, they were excused; grand entertainments of London had been
projected, and he fell into the weariful business with them, thinking
of Henrietta’s insatiable appetite for the pleasures. He had taken the
lease of this burdensome Calesford, at an eight-miles’ drive from the
Northwest of town, to gratify the devouring woman’s taste which was, to
have all the luxuries of the town in a framework of country scenery.
Gower Woodseer and he were dining together in the evening. The
circumstance was just endurable, but Gower would play the secretary,
and doggedly subjected him to hear a statement of the woeful plight of
Countess Livia’s affairs. Gower, commissioned to examine them, remarked:
‘If we have all the figures!’
‘If we could stop the bleeding!’ Fleetwood replied. ‘Come to the Opera
to-night; I promised. I promised Abrane for to-morrow. There’s no end to
it. This gambling mania’s a flux. Not one of them except your old enemy,
Corby, keeps clear of it; and they’re at him for subsidies, as they are
at me, and would be at you or any passenger on the suspected of a purse.
Corby shines among them.’
That was heavy judgement enough, Gower thought. No allusion to Esslemont
ensued. The earl ate sparely, and silently for the most part.
He was warmed a little at the Opera by hearing Henrietta’s honest
raptures over her Columelli in the Pirata. But Lord Brailstone sat
behind her, and their exchange of ecstasies upon the tattered pathos of
E il mio tradito amor,
was not moderately offensive.
Public-domain text, read in full here on John Shaqi.
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