English fiction -- 19th century; Marriage -- Fiction
He faced to the opening street door. Lord Feltre stood in the framing
of it--a welcome sight. The ‘monastic man of fashion,’ of Gower’s phrase
for him, entered, crooning condolences, with a stretched waxen hand for
his friend, a partial nod for Nature’s worshipper--inefficient at any
serious issue of our human affairs, as the earl would now discover.
Gower left the two young noblemen to their greetings. Happily for him,
philosophy, in the present instance, after a round of profundities,
turned her lantern upon the comic aspect of his errand. Considering
the Countess Livia, and himself, and the tyrant, who benevolently and
providentially, or sardonically, hurled them to their interview,
the situation was comic, certainly, in the sense of its being an
illumination of this life’s odd developments. For thus had things
come about, that if it were possible even to think of the lady’s
condescending, he, thanks to the fair one he would see before evening,
was armed and proof against his old infatuation or any renewal of it.
And he had been taught to read through the beautiful twilighted woman,
as if she were burnt paper held at the fire consuming her. His hopes
hung elsewhere. Nevertheless, an intellectual demon-imp very lively
in his head urged him to speculate on such a contest between them, and
weigh the engaging forces. Difficulties were perceived, the scornful
laughter on her side was plainly heard; but his feeling of savage
mastery, far from beaten down, swelled so as to become irritable for the
trial; and when he was near her house he held a review of every
personal disadvantage he could summon, incited by an array of limping
deficiencies that flattered their arrogant leader with ideas of the
power he had in spite of them.
In fact, his emancipation from sentiment inspired the genial mood to
tease. Women, having to encounter a male adept at the weapon for the
purpose, must be either voluble or supportingly proud to keep the skin
from shrinking: which is a commencement of the retrogression; and that
has frequently been the beginning of a rout. Now the Countess Livia was
a lady of queenly pose and the servitorial conventional speech likely at
a push to prove beggarly. When once on a common platform with a man of
agile tongue instigated by his intellectual demon to pursue inquiries
into her moral resources, after a ruthless exposure of the wrecked
material, she would have to be, after the various fashions, defiant, if
she was to hold her own against pressure; and seeing, as she must, the
road of prudence point to conciliation, it was calculable that she would
take it. Hence a string of possible events, astounding to mankind, but
equally calculable, should one care to give imagination headway. Gower
looked signally Captain Abrane’s ‘fiddler’ while he waited at Livia’s
house door. A studious intimacy with such a lady was rather like the
exposure of the silver moon to the astronomer’s telescope.
Public-domain text, read in full here on John Shaqi.
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