English fiction -- 19th century; Marriage -- Fiction
The pleading was crafty, and it was penetrative in the avoidance of
stress. Carinthia shook herself to feel moved. The endeavour chilled her
to a notion that she was but half alive. She let the question approach
her, whether Chillon could pardon Lord Fleetwood. She, with no idea of
benignness, might speak pardon’s word to him, on a late autumn
evening years hence, perhaps, or to his friends to-morrow, if he
would considerately keep distant. She was upheld by the thought of her
brother’s more honourable likeness to their father, in the certainty
of his refusal to speak pardon’s empty word or touch an offending hand,
without their father’s warrant for the injury wiped out; and as she had
no wish for that to be done, she could anticipate his withholding of the
word.
For her brother at wrestle with his fallen fortunes was now the beating
heart of Carinthia’s mind. Her husband was a shadow there. He did
obscure it, and he might annoy, he was unable to set it in motion. He
sat there somewhat like Youth’s apprehension of Death:--the dark spot
seen mistily at times through people’s tears, or visioned as in
an ambush beyond the hills; occasionally challenged to stimulate
recklessness; oftener overlooked, acknowledged for the undesired remote
of life’s conditions, life’s evil, fatal, ill-assorted yoke-fellow; and
if it was in his power to burst out of his corner and be terrible to
her, she could bring up a force unnamed and unmeasured, that being the
blood of her father in her veins. Having done her utmost to guard her
babe, she said her prayers; she stood for peace or the struggle.
‘Does Lord Fleetwood speak of coming here?’ she said.
‘To-morrow.’
‘I go to Croridge to-morrow.’
‘Your ladyship returns?’
‘Yes, I return Mr. Gower, you have fifty minutes before you dress for
dinner.’
He thought only of the exceeding charity of the intimation; and he may
be excused for his not seeing the feminine full answer it was, in an
implied, unmeditated contrast. He went gladly to find his new comrade,
his flower among grass-blades, the wonderful creature astonishing him
and surcharging his world by setting her face at him, opening her breast
to him, breathing a young man’s word of words from a woman’s mouth. His
flower among grass-blades for a head looking studiously down, she was
his fountain of wisdom as well, in the assurance she gave him of the
wisdom of his choice.
Public-domain text, read in full here on John Shaqi.
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