English fiction -- 19th century; Marriage -- Fiction
His leader was washed, neatly dressed, and knocking at his door very
soon, impatient to be off, and he flung a promise of ‘supper presently’
to one whose modest purse had fallen into a debate with this lordly
hostelry, counting that a supper and a night there would do for it. They
hurried on to the line of promenaders, a river of cross-currents by the
side of seated groups; and the willowy swish of silken dresses, feminine
perfumery, cigar-smoke, chatter, laughter, told of pleasure reigning.
Fleetwood scanned the groups. He had seen enough in a moment and his
face blackened. A darting waiter was called to him.
He said to Woodseer, savagely, as it sounded: ‘You shall have something
to joint your bones!’ What cause of wrath he had was past a guess: a
wolf at his vitals bit him, hardening his handsome features.
The waiter darted back, bearing a tray and tall glasses filled each with
piled parti-coloured liqueurs, on the top of which an egg-yolk swam.
Fleetwood gave example. Swallowing your egg, the fiery-velvet triune
behind slips after it, in an easy milky way, like a princess’s train on
a state-march, and you are completely, transformed, very agreeably; you
have become a merry demon. ‘Well, yes, it’s next to magic,’ he replied
to Woodseer’s astonished snigger after the draught, and explained, that
it was a famous Viennese four-of-the-morning panacea, the revellers’
electrical restorer. ‘Now you can hold on for an hour or two, and then
we’ll sup. At Rome?’
‘Ay! Druids to-morrow!’ cried the philosopher bewitched.
He found himself bowing to a most heavenly lady, composed of day and
night in her colouring, but more of night, where the western edge has
become a pale steel blade. Men were around her, forming a semi-circle.
The world of men and women was mere timber and leafage to this flower of
her sex, glory of her kind. How he behaved in her presence, he knew not;
he was beyond self-criticism or conscious reflection; simply the engine
of the commixed three liqueurs, with parlous fine thoughts, and a sense
of steaming into the infinite.
To leave her was to have her as a moon in the heavens and to think of
her creatively. A swarm of images rushed about her and away, took lustre
and shade. She was a miracle of greyness, her eyes translucently grey, a
dark-haired queen of the twilights; and his heart sprang into his brain
to picture the novel beauty; language became a flushed Bacchanal in
a ring of dancing similes. Lying beside a bank of silvery cinquefoil
against a clear evening sky, where the planet Venus is a point of new
and warmer light, one has the vision of her. Or something of Persephone
rising to greet her mother, when our beam of day first melts through her
as she kneels to gather an early bud of the year, would be near it. Or
there is a lake in mid-forest, that curls part in shadow under the foot
of morning: there we have her.
Public-domain text, read in full here on John Shaqi.
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