English fiction -- 19th century; Marriage -- Fiction
‘I am honoured, Russett.’
‘Cleared out, I suppose? Abrane is a funnel for pouring into that Bank.
Have your fun as you like it! I shall get supplies to-morrow. By the
way, you have that boy Cressett here. What are you doing with him?’
Livia spoke of watching over him and guarding him:
‘He was at the table beside me, bursting to have a fling; and my friend
Mr. Woodseer said, it was “Adonis come to spy the boar”:--the picture!’
Prompt as bugle to the breath, Livia proposed to bet him fifty pounds
that she would keep young Cressett from gambling a single louis. The
pretty saying did not touch her.
Fleetwood moved and bowed. Sir Meeson Corby simulated a petrifaction of
his frame at seeing the Countess of Fleetwood actually partly bent with
her gracious acknowledgement of the tramp’s gawky homage.
CHAPTER X. SMALL CAUSES
A clock sounded one of the later morning hours of the night as Gower
Woodseer stood at his hotel door, having left Fleetwood with a band of
revellers. The night was now clear. Stars were low over the ridge of
pines, dropped to a league of our strange world to record the doings.
Beneath this roof lay the starry She. He was elected to lie beneath it
also: and he beheld his heavenly lady floating on the lull of soft white
cloud among her sister spheres. After the way of imaginative young men,
he had her features more accurately now she was hidden, and he idealized
her more. He could escape for a time from his coil of similes and paint
for himself the irids of her large, long, grey eyes darkly rimmed;
purest water-grey, lucid within the ring, beneath an arch of lashes.
He had them fast; but then he fell to contemplating their exceeding
rareness; And the mystery of the divinely grey swung a kindled fancy
to the flight with some queen-witch of woods, of whom a youth may dream
under the spell of twilights, East or West, among forest branches.
She had these marvellous eyes and the glamour for men. She had not yet
met a man with the poetical twist in the brain to prize her elementally.
All admitted the glamour; none of her courtiers were able to name it,
even the poetical head giving it a name did not think of the witch in
her looks as a witch in her deeds, a modern daughter of the mediaeval.
To her giant squire the eyes of the lady were queer: they were unlit
glass lamps to her French suppliant; and to the others, they were
attractively uncommon; the charm for them being in her fine outlines,
her stature, carriage of her person, and unalterable composure;
particularly her latent daring. She had the effect on the general mind
of a lofty crag-castle with a history. There was a whiff of gunpowder
exciting the atmosphere in the anecdotal part of the history known.
Public-domain text, read in full here on John Shaqi.
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