This assault of images became for a moment, in the address of the distinguished sculptor, almost formidable: Gloriani showed him, in such perfect confidence, on Chad’s introduction of him, a fine worn handsome face, a face that was like an open letter in a foreign tongue. With his genius in his eyes, his manners on his lips, his long career behind him and his honours and rewards all round, the great artist, in the course of a single sustained look and a few words of delight at receiving him, affected our friend as a dazzling prodigy of type. Strether had seen in museums—in the Luxembourg as well as, more reverently, later on, in the New York of the billionaires—the work of his hand; knowing too that after an earlier time in his native Rome he had migrated, in mid-career, to Paris, where, with a personal lustre almost violent, he shone in a constellation: all of which was more than enough to crown him, for his guest, with the light, with the romance, of glory. Strether, in contact with that element as he had never yet so intimately been, had the consciousness of opening to it, for the happy instant, all the windows of his mind, of letting this rather grey interior drink in for once the sun of a clime not marked in his old geography. He was to remember again repeatedly the medal-like Italian face, in which every line was an artist’s own, in which time told only as tone and consecration; and he was to recall in especial, as the penetrating radiance, as the communication of the illustrious spirit itself, the manner in which, while they stood briefly, in welcome and response, face to face, he was held by the sculptor’s eyes. He wasn’t soon to forget them, was to think of them, all unconscious, unintending, preoccupied though they were, as the source of the deepest intellectual sounding to which he had ever been exposed. He was in fact quite to cherish his vision of it, to play with it in idle hours; only speaking of it to no one and quite aware he couldn’t have spoken without appearing to talk nonsense. Was what it had told him or what it had asked him the greater of the mysteries? Was it the most special flare, unequalled, supreme, of the æsthetic torch, lighting that wondrous world for ever, or was it above all the long straight shaft sunk by a personal acuteness that life had seasoned to steel? Nothing on earth could have been stranger and no one doubtless more surprised than the artist himself, but it was for all the world to Strether just then as if in the matter of his accepted duty he had positively been on trial. The deep human expertness in Gloriani’s charming smile—oh the terrible life behind it!—was flashed upon him as a test of his stuff.