Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
“Oh they’re every one—all sorts and sizes; of course I mean within
limits, though limits down perhaps rather more than limits up. There
are always artists—he’s beautiful and inimitable to the _cher
confrère_; and then _gros bonnets_ of many kinds—ambassadors, cabinet
ministers, bankers, generals, what do I know? even Jews. Above all
always some awfully nice women—and not too many; sometimes an actress,
an artist, a great performer—but only when they’re not monsters; and in
particular the right _femmes du monde_. You can fancy his history on
that side—I believe it’s fabulous: they _never_ give him up. Yet he
keeps them down: no one knows how he manages; it’s too beautiful and
bland. Never too many—and a mighty good thing too; just a perfect
choice. But there are not in any way many bores; it has always been so;
he has some secret. It’s extraordinary. And you don’t find it out. He’s
the same to every one. He doesn’t ask questions.’
“Ah doesn’t he?” Strether laughed.
Bilham met it with all his candour. “How then should _I_ be here?
“Oh for what you tell me. You’re part of the perfect choice.”
Well, the young man took in the scene. “It seems rather good to-day.”
Strether followed the direction of his eyes. “Are they all, this time,
_femmes du monde?_”
Little Bilham showed his competence. “Pretty well.”
This was a category our friend had a feeling for; a light, romantic and
mysterious, on the feminine element, in which he enjoyed for a little
watching it. “Are there any Poles?”
His companion considered. “I think I make out a ‘Portuguee.’ But I’ve
seen Turks.”
Strether wondered, desiring justice. “They seem—all the women—very
harmonious.”
“Oh in closer quarters they come out!” And then, while Strether was
aware of fearing closer quarters, though giving himself again to the
harmonies, “Well,” little Bilham went on, “it _is_ at the worst rather
good, you know. If you like it, you feel it, this way, that shows
you’re not in the least out. But you always know things,” he handsomely
added, “immediately.”
Strether liked it and felt it only too much; so “I say, don’t lay traps
for me!” he rather helplessly murmured.
“Well,” his companion returned, “he’s wonderfully kind to _us_.”
“To us Americans you mean?”
“Oh no—he doesn’t know anything about _that_. That’s half the battle
here—that you can never hear politics. We don’t talk them. I mean to
poor young wretches of all sorts. And yet it’s always as charming as
this; it’s as if, by something in the air, our squalor didn’t show. It
puts us all back—into the last century.”
“I’m afraid,” Strether said, amused, “that it puts me rather forward:
oh ever so far!”
“Into the next? But isn’t that only,” little Bilham asked, “because
you’re really of the century before?”
“The century before the last? Thank you!” Strether laughed. “If I ask
you about some of the ladies it can’t be then that I may hope, as such
a specimen of the rococo, to please them.”
Public-domain text, read in full here on John Shaqi.
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