Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
“She’s certainly immense. I mean she’s the real thing. I believe the
pale pink petals are folded up there for some wondrous efflorescence in
time; to open, that is, to some great golden sun. _I’m_ unfortunately
but a small farthing candle. What chance in such a field for a poor
little painter-man?”
“Oh you’re good enough,” Strether threw out.
“Certainly I’m good enough. We’re good enough, I consider, _nous
autres_, for anything. But she’s _too_ good. There’s the difference.
They wouldn’t look at me.”
Strether, lounging on his divan and still charmed by the young girl,
whose eyes had consciously strayed to him, he fancied, with a vague
smile—Strether, enjoying the whole occasion as with dormant pulses at
last awake and in spite of new material thrust upon him, thought over
his companion’s words. “Whom do you mean by ‘they’? She and her
mother?”
“She and her mother. And she has a father too, who, whatever else he
may be, certainly can’t be indifferent to the possibilities she
represents. Besides, there’s Chad.”
Strether was silent a little. “Ah but he doesn’t care for her—not, I
mean, it appears, after all, in the sense I’m speaking of. He’s _not_
in love with her.”
“No—but he’s her best friend; after her mother. He’s very fond of her.
He has his ideas about what can be done for her.”
“Well, it’s very strange!” Strether presently remarked with a sighing
sense of fulness.
“Very strange indeed. That’s just the beauty of it. Isn’t it very much
the kind of beauty you had in mind,” little Bilham went on, “when you
were so wonderful and so inspiring to me the other day? Didn’t you
adjure me, in accents I shall never forget, to see, while I’ve a
chance, everything I can?—and _really_ to see, for it must have been
that only you meant. Well, you did me no end of good, and I’m doing my
best. I _do_ make it out a situation.”
“So do I!” Strether went on after a moment. But he had the next minute
an inconsequent question. “How comes Chad so mixed up, anyway?”
“Ah, ah, ah!”—and little Bilham fell back on his cushions.
It reminded our friend of Miss Barrace, and he felt again the brush of
his sense of moving in a maze of mystic closed allusions. Yet he kept
hold of his thread. “Of course I understand really; only the general
transformation makes me occasionally gasp. Chad with such a voice in
the settlement of the future of a little countess—no,” he declared, “it
takes more time! You say moreover,” he resumed, “that we’re inevitably,
people like you and me, out of the running. The curious fact remains
that Chad himself isn’t. The situation doesn’t make for it, but in a
different one he could have her if he would.”
“Yes, but that’s only because he’s rich and because there’s a
possibility of his being richer. They won’t think of anything but a
great name or a great fortune.”
“Well,” said Strether, “he’ll have no great fortune on _these_ lines.
He must stir his stumps.”
“Is that,” little Bilham enquired, “what you were saying to Madame de
Vionnet?”
Public-domain text, read in full here on John Shaqi.
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