Well, it was right, Strether slipped smoothly enough into the cheerfulness of saying: granted that a community _might_ be best represented by a young lady of twenty-two, Mamie perfectly played the part, played it as if she were used to it, and looked and spoke and dressed the character. He wondered if she mightn’t, in the high light of Paris, a cool full studio-light, becoming yet treacherous, show as too conscious of these matters; but the next moment he felt satisfied that her consciousness was after all empty for its size, rather too simple than too mixed, and that the kind way with her would be not to take many things out of it, but to put as many as possible in. She was robust and conveniently tall; just a trifle too bloodlessly fair perhaps, but with a pleasant public familiar radiance that affirmed her vitality. She might have been “receiving” for Woollett, wherever she found herself, and there was something in her manner, her tone, her motion, her pretty blue eyes, her pretty perfect teeth and her very small, too small, nose, that immediately placed her, to the fancy, between the windows of a hot bright room in which voices were high—up at that end to which people were brought to be “presented.” They were there to congratulate, these images, and Strether’s renewed vision, on this hint, completed the idea. What Mamie was like was the happy bride, the bride after the church and just before going away. She wasn’t the mere maiden, and yet was only as much married as that quantity came to. She was in the brilliant acclaimed festal stage. Well, might it last her long!