Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
But the oddity was that when he _had_ so watched and considered he
simply stepped back into the room without following up his advantage.
He revolved there again for several minutes, quite as with something
new to think of and as if the bearings of the possibility of Sarah had
been superseded. For frankly, yes, it _had_ bearings thus to find the
girl in solitary possession. There was something in it that touched him
to a point not to have been reckoned beforehand, something that softly
but quite pressingly spoke to him, and that spoke the more each time he
paused again at the edge of the balcony and saw her still unaware. Her
companions were plainly scattered; Sarah would be off somewhere with
Waymarsh and Chad off somewhere with Jim. Strether didn’t at all
mentally impute to Chad that he was with his “good friend”; he gave him
the benefit of supposing him involved in appearances that, had he had
to describe them—for instance to Maria—he would have conveniently
qualified as more subtle. It came to him indeed the next thing that
there was perhaps almost an excess of refinement in having left Mamie
in such weather up there alone; however she might in fact have
extemporised, under the charm of the Rue de Rivoli, a little makeshift
Paris of wonder and fancy. Our friend in any case now recognised—and it
was as if at the recognition Mrs. Newsome’s fixed intensity had
suddenly, with a deep audible gasp, grown thin and vague—that day after
day he had been conscious in respect to his young lady of something odd
and ambiguous, yet something into which he could at last read a
meaning. It had been at the most, this mystery, an obsession—oh an
obsession agreeable; and it had just now fallen into its place as at
the touch of a spring. It had represented the possibility between them
of some communication baffled by accident and delay—the possibility
even of some relation as yet unacknowledged.
Public-domain text, read in full here on John Shaqi.
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