Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
He then knew more or less how he had been affected—he but half knew at
the time. There had been plenty to affect him even after, as has been
said, they had shaken down; for his consciousness, though muffled, had
its sharpest moments during this passage, a marked drop into innocent
friendly Bohemia. They then had put their elbows on the table,
deploring the premature end of their two or three dishes; which they
had tried to make up with another bottle while Chad joked a little
spasmodically, perhaps even a little irrelevantly, with the hostess.
What it all came to had been that fiction and fable _were_, inevitably,
in the air, and not as a simple term of comparison, but as a result of
things said; also that they were blinking it, all round, and that they
yet needn’t, so much as that, have blinked it—though indeed if they
hadn’t Strether didn’t quite see what else they could have done.
Strether didn’t quite see _that_ even at an hour or two past midnight,
even when he had, at his hotel, for a long time, without a light and
without undressing, sat back on his bedroom sofa and stared straight
before him. He was, at that point of vantage, in full possession, to
make of it all what he could. He kept making of it that there had been
simply a _lie_ in the charming affair—a lie on which one could now,
detached and deliberate, perfectly put one’s finger. It was with the
lie that they had eaten and drunk and talked and laughed, that they had
waited for their _carriole_ rather impatiently, and had then got into
the vehicle and, sensibly subsiding, driven their three or four miles
through the darkening summer night. The eating and drinking, which had
been a resource, had had the effect of having served its turn; the talk
and laughter had done as much; and it was during their somewhat tedious
progress to the station, during the waits there, the further delays,
their submission to fatigue, their silences in the dim compartment of
the much-stopping train, that he prepared himself for reflexions to
come. It had been a performance, Madame de Vionnet’s manner, and though
it had to that degree faltered toward the end, as through her ceasing
to believe in it, as if she had asked herself, or Chad had found a
moment surreptitiously to ask her, what after all was the use, a
performance it had none the less quite handsomely remained, with the
final fact about it that it was on the whole easier to keep up than to
abandon.
Public-domain text, read in full here on John Shaqi.
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