It was at present queer beyond words, “subtle,” he would have risked saying, that such suggestions should keep crossing the scene; but it was doubtless the effect of the thunder in the air, which had hung about all day without release. His hostess was dressed as for thunderous times, and it fell in with the kind of imagination we have just attributed to him that she should be in simplest coolest white, of a character so old-fashioned, if he were not mistaken, that Madame Roland must on the scaffold have worn something like it. This effect was enhanced by a small black fichu or scarf, of crape or gauze, disposed quaintly round her bosom and now completing as by a mystic touch the pathetic, the noble analogy. Poor Strether in fact scarce knew what analogy was evoked for him as the charming woman, receiving him and making him, as she could do such things, at once familiarly and gravely welcome, moved over her great room with her image almost repeated in its polished floor, which had been fully bared for summer. The associations of the place, all felt again; the gleam here and there, in the subdued light, of glass and gilt and parquet, with the quietness of her own note as the centre—these things were at first as delicate as if they had been ghostly, and he was sure in a moment that, whatever he should find he had come for, it wouldn’t be for an impression that had previously failed him. That conviction held him from the outset, and, seeming singularly to simplify, certified to him that the objects about would help him, would really help them both. No, he might never see them again—this was only too probably the last time; and he should certainly see nothing in the least degree like them. He should soon be going to where such things were not, and it would be a small mercy for memory, for fancy, to have, in that stress, a loaf on the shelf. He knew in advance he should look back on the perception actually sharpest with him as on the view of something old, old, old, the oldest thing he had ever personally touched; and he also knew, even while he took his companion in as the feature among features, that memory and fancy couldn’t help being enlisted for her. She might intend what she would, but this was beyond anything she could intend, with things from far back—tyrannies of history, facts of type, values, as the painters said, of expression—all working for her and giving her the supreme chance, the chance of the happy, the really luxurious few, the chance, on a great occasion, to be natural and simple. She had never, with him, been more so; or if it was the perfection of art it would never—and that came to the same thing—be proved against her.