Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
“Oh, you’re all right, you’re all right,” he almost impatiently
declared; his impatience being moreover not for her pressure, but for
her scruple. More and more distinct to him was the tune to which she
would have had the matter out with Chad: more and more vivid for him
the idea that she had been nervous as to what he might be able to
“stand.” Yes, it had been a question if he had “stood” what the scene
on the river had given him, and, though the young man had doubtless
opined in favour of his recuperation, her own last word must have been
that she should feel easier in seeing for herself. That was it,
unmistakeably; she _was_ seeing for herself. What he could stand was
thus, in these moments, in the balance for Strether, who reflected, as
he became fully aware of it, that he must properly brace himself. He
wanted fully to appear to stand all he might; and there was a certain
command of the situation for him in this very wish not to look too much
at sea. She was ready with everything, but so, sufficiently, was he;
that is he was at one point the more prepared of the two, inasmuch as,
for all her cleverness, she couldn’t produce on the spot—and it was
surprising—an account of the motive of her note. He had the advantage
that his pronouncing her “all right” gave him for an enquiry. “May I
ask, delighted as I’ve been to come, if you’ve wished to say something
special?” He spoke as if she might have seen he had been waiting for
it—not indeed with discomfort, but with natural interest. Then he saw
that she was a little taken aback, was even surprised herself at the
detail she had neglected—the only one ever yet; having somehow assumed
he would know, would recognise, would leave some things not to be said.
She looked at him, however, an instant as if to convey that if he
wanted them _all_—!
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