Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
Waymarsh meanwhile sat opposite him with their hostess between; and
Miss Gostrey spoke of herself as an instructor of youth introducing her
little charges to a work that was one of the glories of literature. The
glory was happily unobjectionable, and the little charges were candid;
for herself she had travelled that road and she merely waited on their
innocence. But she referred in due time to their absent friend, whom it
was clear they should have to give up. “He either won’t have got your
note,” she said, “or you won’t have got his: he has had some kind of
hindrance, and, of course, for that matter, you know, a man never
writes about coming to a box.” She spoke as if, with her look, it might
have been Waymarsh who had written to the youth, and the latter’s face
showed a mixture of austerity and anguish. She went on however as if to
meet this. “He’s far and away, you know, the best of them.”
“The best of whom, ma’am?”
“Why of all the long procession—the boys, the girls, or the old men and
old women as they sometimes really are; the hope, as one may say, of
our country. They’ve all passed, year after year; but there has been no
one in particular I’ve ever wanted to stop. I feel—don’t _you?_—that I
want to stop little Bilham; he’s so exactly right as he is.” She
continued to talk to Waymarsh. “He’s too delightful. If he’ll only not
spoil it! But they always _will_; they always do; they always have.”
“I don’t think Waymarsh knows,” Strether said after a moment, “quite
what it’s open to Bilham to spoil.”
“It can’t be a good American,” Waymarsh lucidly enough replied; “for it
didn’t strike me the young man had developed much in _that_ shape.”
Public-domain text, read in full here on John Shaqi.
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