Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
“Ah,” Miss Gostrey sighed, “the name of the good American is as easily
given as taken away! What _is_ it, to begin with, to _be_ one, and
what’s the extraordinary hurry? Surely nothing that’s so pressing was
ever so little defined. It’s such an order, really, that before we cook
you the dish we must at least have your receipt. Besides the poor
chicks have time! What I’ve seen so often spoiled,” she pursued, “is
the happy attitude itself, the state of faith and—what shall I call
it?—the sense of beauty. You’re right about him”—she now took in
Strether; “little Bilham has them to a charm, we must keep little
Bilham along.” Then she was all again for Waymarsh. “The others have
all wanted so dreadfully to do something, and they’ve gone and done it
in too many cases indeed. It leaves them never the same afterwards; the
charm’s always somehow broken. Now _he_, I think, you know, really
won’t. He won’t do the least dreadful little thing. We shall continue
to enjoy him just as he is. No—he’s quite beautiful. He sees
everything. He isn’t a bit ashamed. He has every scrap of the courage
of it that one could ask. Only think what he _might_ do. One wants
really—for fear of some accident—to keep him in view. At this very
moment perhaps what mayn’t he be up to? I’ve had my disappointments—the
poor things are never really safe; or only at least when you have them
under your eye. One can never completely trust them. One’s uneasy, and
I think that’s why I most miss him now.”
She had wound up with a laugh of enjoyment over her embroidery of her
idea—an enjoyment that her face communicated to Strether, who almost
wished none the less at this moment that she would let poor Waymarsh
alone. _He_ knew more or less what she meant; but the fact wasn’t a
reason for her not pretending to Waymarsh that he didn’t. It was craven
of him perhaps, but he would, for the high amenity of the occasion,
have liked Waymarsh not to be so sure of his wit. Her recognition of it
gave him away and, before she had done with him or with that article,
would give him worse. What was he, all the same, to do? He looked
across the box at his friend; their eyes met; something queer and
stiff, something that bore on the situation but that it was better not
to touch, passed in silence between them. Well, the effect of it for
Strether was an abrupt reaction, a final impatience of his own tendency
to temporise. Where was that taking him anyway? It was one of the quiet
instants that sometimes settle more matters than the outbreaks dear to
the historic muse. The only qualification of the quietness was the
synthetic “Oh hang it!” into which Strether’s share of the silence
soundlessly flowered. It represented, this mute ejaculation, a final
impulse to burn his ships. These ships, to the historic muse, may seem
of course mere cockles, but when he presently spoke to Miss Gostrey it
was with the sense at least of applying the torch. “Is it then a
conspiracy?”
Public-domain text, read in full here on John Shaqi.
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