Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
reconstituted as he might, just as he had also reconstituted the
promptness with which Chad had corrected his uncertainty. An
extraordinarily short time had been required for the correction, and
there had ceased to be anything negative in his companion’s face and
air as soon as it was made. “Your engagement to my mother has become
then what they call here a _fait accompli?_”—it had consisted, the
determinant touch, in nothing more than that.
Well, that was enough, Strether had felt while his answer hung fire. He
had felt at the same time, however, that nothing could less become him
than that it should hang fire too long. “Yes,” he said brightly, “it
was on the happy settlement of the question that I started. You see
therefore to what tune I’m in your family. Moreover,” he added, “I’ve
been supposing you’d suppose it.”
“Oh I’ve been supposing it for a long time, and what you tell me helps
me to understand that you should want to do something. To do something,
I mean,” said Chad, “to commemorate an event so—what do they call
it?—so auspicious. I see you make out, and not unnaturally,” he
continued, “that bringing me home in triumph as a sort of
wedding-present to Mother would commemorate it better than anything
else. You want to make a bonfire in fact,” he laughed, “and you pitch
me on. Thank you, thank you!” he laughed again.
He was altogether easy about it, and this made Strether now see how at
bottom, and in spite of the shade of shyness that really cost him
nothing, he had from the first moment been easy about everything. The
shade of shyness was mere good taste. People with manners formed could
apparently have, as one of their best cards, the shade of shyness too.
He had leaned a little forward to speak; his elbows were on the table;
and the inscrutable new face that he had got somewhere and somehow was
brought by the movement nearer to his critic’s. There was a fascination
for that critic in its not being, this ripe physiognomy, the face that,
under observation at least, he had originally carried away from
Woollett. Strether found a certain freedom on his own side in defining
it as that of a man of the world—a formula that indeed seemed to come
now in some degree to his relief; that of a man to whom things had
happened and were variously known. In gleams, in glances, the past did
perhaps peep out of it; but such lights were faint and instantly
merged. Chad was brown and thick and strong, and of old Chad had been
rough. Was all the difference therefore that he was actually smooth?
Possibly; for that he _was_ smooth was as marked as in the taste of a
sauce or in the rub of a hand. The effect of it was general—it had
retouched his features, drawn them with a cleaner line. It had cleared
his eyes and settled his colour and polished his fine square teeth—the
main ornament of his face; and at the same time that it had given him a
form and a surface, almost a design, it had toned his voice,
Public-domain text, read in full here on John Shaqi.
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