Humorous stories; Mistaken identity -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
CHAPTER XXI.
She had made everything comfortable for the artist; there was no
further pretext for staying. So she said she would go, now, and asked
him to summon the servants in case he should need anything. She went
away unhappy; and she left unhappiness behind her; for she carried away
all the sunshine. The time dragged heavily for both, now. He couldn’t
paint for thinking of her; she couldn’t design or millinerize with any
heart, for thinking of him. Never before had painting seemed so empty
to him, never before had millinerizing seemed so void of interest to
her. She had gone without repeating that dinner-invitation—an almost
unendurable disappointment to him. On her part-well, she was suffering,
too; for she had found she _couldn’t_ invite him. It was not hard
yesterday, but it was impossible to-day. A thousand innocent privileges
seemed to have been filched from her unawares in the past twenty-four
hours. To-day she felt strangely hampered, restrained of her liberty.
To-day she couldn’t propose to herself to do anything or say anything
concerning this young man without being instantly paralyzed into
non-action by the fear that he might “suspect.” Invite him to dinner
_to-day?_ It made her shiver to think of it.
And so her afternoon was one long fret. Broken at intervals. Three
times she had to go down stairs on errands—that is, she thought she had
to go down stairs on errands. Thus, going and coming, she had six
glimpses of him, in the aggregate, without seeming to look in his
direction; and she tried to endure these electric ecstasies without
showing any sign, but they fluttered her up a good deal, and she felt
that the naturalness she was putting on was overdone and quite too
frantically sober and hysterically calm to deceive.
The painter had his share of the rapture; he had his six glimpses, and
they smote him with waves of pleasure that assaulted him, beat upon
him, washed over him deliciously, and drowned out all consciousness of
what he was doing with his brush. So there were six places in his
canvas which had to be done over again.
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At last Gwendolen got some peace of mind by sending word to the
Thompsons, in the neighborhood, that she was coming there to dinner.
She wouldn’t be reminded, at _that_ table, that there was an absentee
who ought to be a presentee—a word which she meant to look out in the
dictionary at a calmer time.
About this time the old earl dropped in for a chat with the artist, and
invited him to stay to dinner. Tracy cramped down his joy and gratitude
by a sudden and powerful exercise of all his forces; and he felt that
now that he was going to be close to Gwendolen, and hear her voice and
watch her face during several precious hours, earth had nothing
valuable to add to his life for the present.
Public-domain text, read in full here on John Shaqi.
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