Humorous stories; Mistaken identity -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
The moment Tracy was alone his spirits vanished away, and all the
misery of his situation was manifest to him. To be moneyless and an
object of the chairmaker’s charity—this was bad enough, but his folly
in proclaiming himself an earl’s son to that scoffing and unbelieving
crew, and, on top of that, the humiliating result—the recollection of
these things was a sharper torture still. He made up his mind that he
would never play earl’s son again before a doubtful audience.
His father’s answer was a blow he could not understand. At times he
thought his father imagined he could get work to do in America without
any trouble, and was minded to let him try it and cure himself of his
radicalism by hard, cold, disenchanting experience. That seemed the
most plausible theory, yet he could not content himself with it. A
theory that pleased him better was, that this cablegram would be
followed by another, of a gentler sort, requiring him to come home.
Should he write and strike his flag, and ask for a ticket home? Oh, no,
that he couldn’t _ever_ do. At least, not yet. That cablegram would
come, it certainly would. So he went from one telegraph office to
another every day for nearly a week, and asked if there was a cablegram
for Howard Tracy. No, there wasn’t any. So they answered him at first.
Later, they said it before he had a chance to ask. Later still they
merely shook their heads impatiently as soon as he came in sight. After
that he was ashamed to go any more.
He was down in the lowest depths of despair, now; for the harder Barrow
tried to find work for him the more hopeless the possibilities seemed
to grow. At last he said to Barrow:
“Look here. I want to make a confession. I have got down, now, to where
I am not only willing to acknowledge to myself that I am a shabby
creature and full of false pride, but am willing to acknowledge it to
you. Well, I’ve been allowing you to wear yourself out hunting for work
for me when there’s been a chance open to me all the time. Forgive my
pride—what was left of it. It is all gone, now, and I’ve come to
confess that if those ghastly artists want another confederate, I’m
their man—for at last I am dead to shame.”
“No? Really, can you paint?”
“Not as badly as _they_. No, I don’t claim that, for I am not a genius;
in fact, I am a very indifferent amateur, a slouchy dabster, a mere
artistic sarcasm; but drunk or asleep I can beat _those_ buccaneers.”
“Shake! I want to shout! Oh, I tell you, I am immensely delighted and
relieved. Oh, just to work—that is life! No matter what the work
is—that’s of no consequence. Just work itself is bliss when a man’s
been starving for it. I’ve _been_ there! Come right along; we’ll hunt
the old boys up. Don’t you feel good? I tell you _I_ do.”
The freebooters were not at home. But their “works” were, displayed in
profusion all about the little ratty studio. Cannon to the right of
them, cannon to the left of them, cannon in front—it was Balaclava come
again.
Public-domain text, read in full here on John Shaqi.
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