Farm life -- United States; Girls -- United States
An interesting story of Catherine Beecher, daughter of the great New
England theologian, Dr. Lyman Beecher, illustrates this. It is related
in the autobiography of her father that she once devised a play and
prepared, unknown to her parents, to give it in the kitchen of their
home in Litchfield, Connecticut. The unsuspicious parents, it seems, did
not notice that the neighbors were dropping in with a very unusual
simultaneousness and that after supper an unwonted fire was being built
in the parlor. Soon the door into the kitchen was opened with a
flourish, a curtain was seen to have been strung across the room, Roman
senators began to stalk across the stage--the kitchen floor--and a good
rousing dip was taken by all into the fountain of antique romance. After
it was over the stern father, who had been too greatly overwhelmed by
the events of the evening to make any objection, whispered to that
favorite daughter of his that it had all been very interesting
but--better not do that again! Catherine got off easily, considering the
repute in which dramatic representations were held by our forefathers.
Temptations to evil, at least, they were considered to be, if not the
very path itself.
Yet Catherine Beecher made many plays, devised in large part from the
plots of approved and semi-pious story-books, and these were enacted at
school and at the picnics of her large circle of brothers and sisters.
Moreover her sister Harriet (afterward Harriet Beecher Stowe) being at
about this period of her youth filled with the aspiration to become a
great tragic poet, wrote reams and reams of blank verse on a classic
theme developed in dramatic form. By this time, however, the elder
dominant sister Catherine must have seen the error of her ways, for
finding Harriet one day in the act of composition, she took her
precious play away from her, bidding her to cease this waste of time and
go to work on her Butler's _Analogy of Nature and Religion_. And Harriet
obeyed.
This story is told to afford one illustration of the fact that the
divine endowments of human genius cannot be so easily crushed out. A
theory will not accomplish it.
Public-domain text, read in full here on John Shaqi.
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