Farm life -- United States; Girls -- United States
It is not many years since the pageant began to be taken up in this
country as a form of artistic expression. When we began to realize how
strangely romantic our course of history as an American people had
been, when we viewed our past struggle to subdue the soil and overcome
the difficulties of pioneering as a most tragic story, as a heart-moving
tale fitted for the great epic and for the great tragic drama, then we
felt the impulse to place these tales of old-time heroism in fitting
artistic form before the eyes of the people.
It was not without meaning that the desire to express in dramatic form
the pictures of our historic past had its earliest origins not in the
metropolitan square but on the village green, with a background not of
skyscrapers but of sequoia groves. Again we see rural conditions more
favorable to the budding powers of human genius. There our newly
awakened enthusiasm for community betterment promptly seized the pageant
as a fitting means of expressing its urgent emotion. Looking forward
into the future we desired to express our hopes for enlargement as we
had expressed our vision of the meaning of past struggles.
There are plain reasons why this loose and easy dramatic form is
especially adapted for the use of a town or village when it wishes to
portray dramatically its own historic and community experiences. In
fact, American pageantry has had from the earliest attempts a distinct
reference to the welfare of the community and to the development of the
rich resources of fellowship to be found in concerted action. This was
amply shown at Thetford, Vermont, where one of the earliest and most
successful pageants was given. That was as late as 1911. The author of
the text frankly stated that the pageant seemed to him the expression of
a movement for the general development of the resources of the town,
agricultural, educational and social. The work should become, then, a
study of the rural problem, and a contribution toward the effort to make
the country town fulfil its ideal as a place to live. In this effort the
pageant has been a success; it has proved a molding, unifying and
inspiring influence; it has quickened into life the slumbering
energies of the people. By awakening pride in the characteristics of the
town and the region, interest in the history of their past, and hopes
for the better things of the future, it has created a shoulder to
shoulder feeling and a vivification of energy that have brought new
ideas to life and given courage to try them.
Public-domain text, read in full here on John Shaqi.
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