It is to Italy, however, that we owe the first and greatest exertions in the revival of letters. The spirit of liberty which had arisen among its republics was favorable to the cultivation of literature and accordingly we find that not only did they produce many individuals who were most active and successful in bringing to light the relics of classical lore, but that there also arose among them men possessed of the highest order of original genius. Florence produced Dante so early as 1265. Dante was associated with the magistracy of his native city in his earlier years; but having given dissatisfaction in that capacity, he was banished, and in his exile produced his great poem entitled the ‘Divine Comedy.’ It is a representation of the three supposed kingdoms of futurity――Hell, Purgatory, and Paradise――divided into one hundred cantos, and containing about 14,000 lines. The poem has been much praised. Petrarch, born in the year 1304, was likewise a Florentine by birth. The misfortunes of his father had impoverished the family, and Petrarch was too proud to take the usual method of retrieving his affairs. His genius, however, earned for him the friendship of many Italian princes, and even of more popes than one, although he had exerted his talents to expose the vices of their courts. Petrarch’s personal character seems to have exhibited some unamiable traits; but he has sung of love, friendship, glory, patriotism, and religion, in language of such sweetness and power as to have made him the admiration of every succeeding age. Boccaccio, like the two great poets named, was a Florentine. He was born in 1313, and his name has descended to posterity less associated with his poetry than the light, elegant, and easy prose of his novels. _The discovery of Justinian’s Laws_, as detailed in the Pandects, was another event which powerfully tended to modify the barbarism that prevailed during the middle ages in Europe.