This individual appeared to form a tangible point in the intellectual chain between Paganism and Christianity, which it is felt important to examine. We felt desirous of drawing from him such particulars respecting his former practice in necromancy and the prophetic art, as might lead to correct philosophical conclusions. He had been the great juggler of his tribe. He was now accepted as a Christian. What were his own conceptions of the power and arts he had practised? How did these things appear to his mind, after a lapse of several years, during which his opinions and feelings had undergone changes, in many respects so striking? We found not the slightest avoiding of this topic on his part. He attributed all his ability in deceptive arts to the agency of the Evil Spirit; and he spoke of it with the same settled tone that he had manifested in reciting other points in his personal experience. He believed that he had followed a spirit whose object it was to deceive the Indians and make them miserable. He believed that this spirit had left him and that he was now following, in the affections of his heart, the spirit of Truth. Numerous symbols of the classes of the animate creation are relied on by the Indian _metays_ and _wabenos_, to exhibit their affected power of working miracles and to scrutinize the scenes of futurity. The objects which this man had appealed to as personal spirits in the arcanum of his lodge, were the tortoise, the swan, the woodpecker and the crow. He had dreamed of these at his initial fast in his youth, during the period set apart for this purpose, and he believed that a satanic influence was exerted, by presenting to his mind one or more of these solemnly appropriated objects at the moment of his invoking them. This is the theory drawn from his replies. We solicited him to detail the _modus operandi_, after entering the juggler's lodge. This lodge resembles an acute pyramid with the apex open. It is formed of poles, covered with tight-drawn skins. His replies were perfectly ingenuous, evincing nothing of the natural taciturnity and shyness of the Indian mind. The great object with the operator is to agitate this lodge, and cause it to move and shake without uprooting it from its basis, in such a manner as to induce the spectators to believe that the _power of action is superhuman_. After this manifestation of spiritual _presence_, the priest within is prepared to give oracular responses. The only articles within were a drum and rattle. In reply to our inquiry as to the mode of procedure, he stated that his first essay, after entering the lodge, was to strike the drum and commence his incantations. At this time his personal manitos assumed their agency, and received, it is to be inferred, _a satanic energy_. Not that he affects that there was any visible form assumed. But he felt their spirit-like presence. He represents the agitation of the lodge to be due to currents of air,