The American Indians: Their History, Condition and Prospects, from Original Notes and ManuscriptsSchoolcraft, Henry Rowe
History
The American Indians: Their History, Condition and Prospects, from Original Notes and Manuscripts
Schoolcraft, Henry Rowe
Indians of North America
Dancing is both an amusement and a religious observance, among the
American Indians, and is known to constitute one of the most wide spread
traits in their manners and customs. It is accompanied, in all cases,
with singing, and, omitting a few cases, with the beating of time on
instruments. Tribes the most diverse in language, and situated at the
greatest distances apart, concur in this. It is believed to be the
ordinary mode of expressing intense passion, or feeling on any subject,
and it is a custom which has been persevered in, with the least
variation, through all the phases of their history, and probably exists
among the remote tribes, precisely at this time, as it did in the era of
Columbus. It is observed to be the last thing abandoned by bands and
individuals, in their progress to civilization and Christianity. So true
is this, that it may be regarded as one of the best practical proofs of
their advance, to find the native instruments and music thrown by, and
the custom abandoned.
Every one has heard of the war dance, the medicine dance, the wabeno
dance, the dance of honour (generally called the begging dance,) and
various others, each of which has its appropriate movements, its air,
and its words. There is no feast, and no religious ceremony, among them,
which is not attended with dancing and songs. Thanks are thus expressed
for success in hunting, for triumphs in war, and for ordinary
providential cares. Public opinion is called to pressing objects by a
dance, at which addresses are made, and in fact, moral instructions and
advice are given to the young, in the course of their being assembled at
social feasts and dances. Dancing is indeed the common resource,
whenever the mass of Indian mind is to be acted on. And it thus stands
viewed in its necessary connection with the songs and addresses, in the
room of the press, the newspaper, and the periodical. The priests and
prophets have, more than any other class, cultivated their national
songs and dances, and may be regarded as the skalds and poets of the
tribes. They are generally the composers of the songs, and the leaders
in the dance and ceremonies, and it is found, that their memories are
the best stored, not only with the sacred songs and chants, but also
with the traditions, and general lore of the tribes.
Public-domain text, read in full here on John Shaqi.
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