The American Indians: Their History, Condition and Prospects, from Original Notes and ManuscriptsSchoolcraft, Henry Rowe
History
The American Indians: Their History, Condition and Prospects, from Original Notes and Manuscripts
Schoolcraft, Henry Rowe
Indians of North America
The great store-house of Indian imagery is the heavens. The clouds, the
planets, the sun, and moon, the phenomena of lightning, thunder,
electricity, aerial sounds, electric or atmospheric, and the endless
variety produced in the heavens by light and shade, and by elemental
action,--these constitute the fruitful themes of allusion in their songs
and poetic chants. But they are mere allusions, or broken description,
like touches on the canvass, without being united to produce a perfect
object. The strokes may be those of a master, and the colouring
exquisite; but without the art to draw, or the skill to connect, it will
still remain but a shapeless mass.
In war excursions great attention is paid to the flight of birds,
particularly those of the carnivorous species, which are deemed typical
of war and bravery, and their wing and tail feathers are appropriated as
marks of honor, by the successful warrior. When the minds of a war party
have been roused up to the subject, and they are prepared to give
utterance to their feelings by singing and dancing, they are naturally
led to appeal to the agency of this class of birds. Hence the frequent
allusions to them, in their songs. The following stanza is made up of
expressions brought into connection, from different fragments, but
expresses no more than the native sentiments:
The eagles scream on high,
They whet their forked beaks,
Raise--raise the battle cry,
'Tis fame our leader seeks.
Generally the expressions are of an exalted and poetic character, but
the remark before made of their efforts in song, being discontinuous and
abrupt, apply with peculiar force to the war songs. To speak of a brave
man--of a battle--or the scene of a battle, or of the hovering of birds
of prey above it, appears sufficient to bring up to the warrior's mind,
all the details consequent on personal bravery or heroic achievement. It
would naturally be expected, that they should delight to dwell on scenes
of carnage and blood: but however this may be, all such details are
omitted or suppressed in their war songs, which only excite ideas of
noble daring.
The birds of the brave take a flight round the sky,
They cross the enemy's line,
Full happy am I--that my body should fall,
Where brave men love to die.
[Illustration: _Savony & Major Lith._ _117 Fulton St. New York._
PO-CA-HON-TAS.]
Very little effort in the collocation and expansion of some of their
sentiments, would impart to these bold and unfettered rhapsodies, an
attractive form, among polished war songs.
Public-domain text, read in full here on John Shaqi.
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