The American Mind: The E. T. Earl LecturesPerry, Bliss
History
The American Mind: The E. T. Earl Lectures
Perry, Bliss
American literature -- History and criticism; National characteristics, American
There exists, in other words, in all classes of American society
to-day, just as there existed during the Revolution, during the
transcendental movement, or the Civil War, an immense mass of
unspiritualized, unvitalized American manhood and womanhood. No
literature comes from it and no religion, though there is much human
kindness, much material progress, and some indestructible residuum of
that idealism which lifts man above the brute.
Yet the curious and the endlessly fascinating thing about these forces
of reaction is that they themselves shift and change. We have seen that
external romance depending upon strangeness of scene, novelty of
adventure, rich atmospheric distance of space or time, disappears with
the changes of civilization. The farm expands over the wolf's den, the
Indian becomes a blacksmith, but do the gross and material instincts
ultimately triumph? He would be a hardy prophet who should venture to
assert it. We must reckon always with the swing of the human pendulum,
with the reaction against reaction. Here, for example, during the last
decade, has been book after book written about the reaction against
democracy. All over the world, it is asserted, there are unmistakable
signs that democracy will not practically work in the face of the
modern tasks to which the world has set itself. One reads these books,
one persuades himself that the hour for democracy is passing, and then
one goes out on the street and buys a morning newspaper and discovers
that democracy has scored again. So is it with the experience of the
individual. You may fancy that the romance of the seas passes, for you,
with the passing of the square-sailed ship. If Mr. Kipling's poetry
cannot rouse you from that mood of reaction, walk down to the end of
the pier to-morrow and watch the ocean liner come up the harbor. If
there is no romance there, you do not know romance when you see it!
Take the case of the farmer; his prosaic life is the butt of the
newspaper paragraphers from one end of the country to the other. But
does romance disappear from the farm with machinery and scientific
agriculture? There are farmers who follow Luther Burbank's experiments
with plants, with all the fascination which used to attach to alchemy
and astrology. The farmer has no longer Indians to fight or a
wilderness to subdue, but the soils of his farm are analyzed at his
state university by men who live in the daily atmosphere of the romance
of science, and who say, as a professor in the University of Chicago
said once, that "a flower is so wonderful that if you knew what was
going on within its cell-structure, you would be afraid to stay alone
with it in the dark."
Public-domain text, read in full here on John Shaqi.
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