The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
Whereupon the dreamer awoke. We know now Sherwood Anderson’s _faculté
maitresse_, imagination, and the familiar form which it takes in his
books, _i.e._, evocation through dreams. His characters are so deeply
absorbed in dreaming that the author himself never quite succeeds in
waking them from their hypnotic trance.
* * * * *
If we are to believe the confessions of his autobiography, Anderson
was led to become a writer by a tyrannical impulse. He felt a physical
craving for dotting the white surface of a sheet of paper with ink or
pencil. Like that friend of his who was so fond of cigars that he took
a trunkful of them to Havana, he pleads guilty to not being able to go
to a distant city without taking his stationery along with him. The
sight of a ream of white paper thrills him to the tips of his fingers.
It calls for something to be put on it. The average man crosses the
street and sees houses and people, a child at a window, a woman with a
babe in her arms, a drowsy workman passing by. He wonders what is the
matter with these people. Lo! the white page is there and the writer
will photograph the whole thing for him. “You don’t know, but _I_
know!” exclaims the writer. “Just wait a minute and I shall tell you.
I have felt it. Now I no longer exist by myself. I only live in these
other people.” Then he rushes to his rooms; he lights the lamp and
behold! the pageant passes. Words are to the writer what colors are to
the artist. They each have a color and a taste. They are tangible.[40]
It seems to him that words are something that even his fingers can
touch “as one touches the cheeks of a child.” Here are the white sheets
of paper taunting the author to write. But like a true lover he wants
to postpone his pleasure. He must wait a day or two to take up the
challenge daringly, baldly. His worship of the white sheet is such
that he excuses the manufacturers of writing paper from his general
excommunication of capitalists. Not only does he grant them economic
privileges, but he goes as far as to put them among the saints on the
calendar:
Makers of paper, I exclude you from all the curses I have heaped
upon manufacturers when I have walked in the street breathing coal
dust and smoke. I have heard your industry kills fish in rivers.
Let them be killed. Fishermen are, in any event, noisy, lying
brutes. Last night I dreamed I had been made Pope and that I
issued a bill, excommunicating all owners of factories, consigning
them to burn everlastingly in hell, but ah, I left you out of my
curses, you busy makers of paper. Those who made paper at a low
price and in vast quantities somewhere up in the forests of Canada,
I sainted. There was one man--I invented him--named Saint John P.
Belger, who furnished paper to indigent writers of prose free of
charge. For virtue I put him, in my dream, almost on a level with
Saint Francis of Assisi.
Public-domain text, read in full here on John Shaqi.
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