The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
In almost every case the great issue of suppressed sensibilities
in Anderson’s stories is eroticism. This is the central pivot of
the lives of his larvæ. The male wants to be rich quick. He has not
time to love; he simply flirts. The female, on the contrary, is like
Phaedra, the wife of Theseus, in Racine’s tragedy, _toute entière à
sa proie attachée_, all intent upon securing the gratification of her
instinctive impulses. Man makes up for his erotic disillusions by
irony, work or drink.[46] Woman simply surrenders to the _libido_.
Inhibitions and repressions make an agony of her life. Anderson
suggests that she come out of the “well” for the sake of health,
happiness and moral progress. Surrendering to nature and not asceticism
is the cure of morbidity. He sides with Hawthorne on this point, and
he proves it in one of the best tales of “Winesburg, Ohio.” We see the
Reverend Hartman released from the nightmares of his cell by facing
life as it is and discovering that religion and beauty can very well
go together. Evasion, it is true, is not within the reach of every one
in Anderson’s books. It is reserved to the elect. Many try to lift the
lid of the “well” and are drowned. The most pathetic case of evasion
is that of Elsie in “The Triumph of The Egg.” The story is called “The
New Englander.” Elsie is an uprooted girl from the East. She dies
of moral dearth and inhibited desires, somewhere on a lonely farm in
the Middle West. One day homesickness and longing make her run away
in the corn-fields with the same pagan fury which took Hester Prynne
to the primitive forest. The scene is literarily beautiful and almost
technically Freudian:
In the month of August, when it is very hot, the corn in Iowa
fields grows until the corn stalks resemble young trees. The
corn-fields become forests. The time for the cultivating of the
corn has passed and weeds grow thick between the corn rows. The men
with their giant horses have gone away. Over the immense fields
silence broods.
When the time of the laying-by of the crop came that first summer
after Elsie’s arrival in the West, her mind, partially awakened by
the strangeness of the railroad trip, awakened again. She did not
feel like a staid, thin woman with a back like the back of a drill
sergeant, but like something new and as strange as the new land
into which she had come to live. For a time she did not know what
was the matter. In the field the corn had grown so high that she
could not see into the distance. The corn was like a wall and the
little bare spot on which her father’s house stood was like a house
built behind the walls of a prison. For a time she was depressed,
thinking that she had come west into a wide open country, only to
find herself locked up more closely than ever.
An impulse came to her. She arose and going down three or four
steps seated herself almost on a level with the ground.
Public-domain text, read in full here on John Shaqi.
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