The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
“Yet for all their frailness, how much jealousy and envy and
unhappiness some of them managed to contain! The life that went on
in them seemed to be made up of evasions and negations; shifts to
save cooking, to save washing and cleaning, devices to propitiate
the tongue of gossip. This guarded mode of existence was like
living under a tyranny. People’s speech, their voices, their very
glances, became furtive and repressed. Every individual taste,
every natural appetite, was bridled by caution. The people asleep
in those houses, I thought, tried to live like mice in their own
kitchens; to make no noise, to leave no trace, to slip over the
surface of things in the dark. The growing piles of ashes and
cinders in the back yards were the only evidence that the wasteful,
consuming process of life went on at all. On Tuesday nights the Owl
Club danced; then there was a little stir in the streets, and here
and there one could see a lighted window until midnight. But the
next night all was dark again.”
Thank God, even at Black Hawk there are a few compensations for a
refined sensibility. Antonia and Jim know how to see through things,
and they find beauty even in their monotonous surroundings. There are
the orchard, the hen yard, the stable and the charm of the rustic works
and days. There is the hay in the attic, the favorite nook of Antonia’s
brood. And then Christmas comes bringing the snow, the spiced cakes
made in true Bohemian fashion, then spring and the budding out of fresh
leaves and flowers. Jim is not blind to the familiar and simple beauty
around him. Let us follow him in Antonia’s wild garden:
Alone, I should never have found the garden--except, perhaps,
for the big yellow pumpkins that lay about unprotected by their
withering vines--and I felt very little interest in it when I got
there. I wanted to walk straight on through the red grass and over
the edge of the world, which could not be very far away. The light
air about me told me that the world ended here: only the ground and
sun and sky were left, and if one went a little farther there would
be only sun and sky, and one would float off into them, like the
tawny hawks which sailed over our heads making slow shadows on the
grass. While grandmother took the pitchfork we found standing in
one of the rows and dug potatoes, while I picked them up out of the
soft brown earth and put them into the bag, I kept looking up at
the hawks that were doing what I might so easily do.
When grandmother was ready to go, I said I would like to stay up
there in the garden awhile.
She peered down at me from under her sunbonnet. “Aren’t you afraid
of the snakes?”
“A little,” I admitted, “but I’d like to stay anyhow.”
Public-domain text, read in full here on John Shaqi.
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