The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
In “Linda Condon,” and particularly in “Java Head,” Hergesheimer has
dealt with similar topics. The hero of “Java Head” is a Puritan let
loose. He brought back with him to Hawthorne’s old Salem a Manchu
princess whom he married, thereby greatly scandalizing his relatives.
The book is full of picturesque and tragic contrasts. “Linda Condon,”
is a case of moral duplicity. Linda, bearing the weight of a loaded
heredity, is a willful inhibitor. She leads two lives. Pure as a
lily among roués, she abandons her carnal self to her husband, while
devoting to a sculptor an ideal love wherein her real personality is
gratified.
There is a great temptation to include Waldo Frank among the Freudians.
He is a master of the inner monologue. He has powerfully dramatized
in “Chalk Face” a morbid case of double personality. “Chalk Face” is
the story of a daydreamer, half insane, somewhat reminiscent of George
Duhamel’s Salavin. The insanity of this person is the result of a
divorce between his intentions and his will. His free will, lacking
balance, has gone over to the side of blind instincts and unconscious
desires. The hero of “Chalk Face” runs unconsciously to passionate
crime, and finally jumps into a lime kiln, in hallucination of his own
image.
Waldo Frank is not a pure realist. He likes to transpose reality
into lyrical and musical variations. His novel “A Holiday” should be
compared with Sherwood Anderson’s “Dark Laughter.” There are in it many
profound intuitions of the Negro soul.
“City Block” is a mysterious panorama, but yet a lyrical one, of a
modern city. The tableaux shown to us by the author appear through a
fantastic and subjective atmosphere recalling Edgar Poe. The author of
“Our America” is one of the most self-conscious artists of American
literature and a high-class critic, with no tender feelings towards the
Puritan tradition.
CHAPTER XII
_Ulysses’ Companions: Robert McAlmon, Ben Hecht, William Carlos
Williams_
Public-domain text, read in full here on John Shaqi.
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