The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
Such is the background of Mr. McAlmon’s sketches. “Village” is hardly
a novel. It is a collection of vivid impressions serving to complete
our knowledge of the tragedies of moral isolation in America. The
pictures drawn by the author possess neither Sinclair Lewis’ humor nor
Sherwood Anderson’s _chiaro-oscuro_. They are deliberately bare, with
a thorough-going objectivity and frankness, reminiscent of a pure,
undiluted Maupassant. I shall not tell in detail the plot of “Village.”
There is none, to tell the truth. It is merely a series of sketches and
youthful confessions. What Robert McAlmon is telling us with his cruel
and cold impartiality of his young Americans is very little edifying.
Snow storms and rains are not the only weapons Wentworth uses to fight
off the drought. Its church spire does not cast its shadow upon saints.
The youth of Wentworth literally have the devil in them. McAlmon is
less optimistic than Mark Twain. His Tom Sawyers are cynics, with their
own good reasons. They are stifled by their surroundings, they are
walled up alive.
John Campbell, one of the characters of the book, is but a child. He
is being bored to death in the village. One day he runs out into the
fields, under the pretext of catching rabbits. He is brought home
bleeding. We surmise that he has committed suicide to escape paternal
corrections and reproof:
John Campbell went past cornfields late autumn crisped. Their
leaves rasped and shuddered in the wind, and their stalks whined
from the frost that kept them brittly chilled. A sear chill was
within him too, a hard rebellion at life, rotted only some portion
of his heart where the weakness of despair was a warm fluid
dampening the hardness of his defiance to helplessness.
Alternate waves of rage at, and indifferent understanding of, his
father, flowed through him. At moments he felt he could almost
sympathize with what life had made the older man. It was this very
sympathy that made him feel helpless himself in all of his outlook
on existence. At angry moments he could hatingly see his father’s
face within his mind, a face with waxen, shiny eyes, insistent with
neurotic rage. How dared he, having messed up his own life, as he
had, presume to dictate to anybody else what they should or should
not do, as though he had discovered a right way, and knew always
that what his son was doing was wrong.
Public-domain text, read in full here on John Shaqi.
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