“Gay Science,” 205, 220, 280. “Genius, The,” 73, 77, 111-115, 195. Glasgow, Ellen, 248. “Golden Bowl, The,” 53. Goncourts, the, influence of, on the American novel, 281. Gopher Prairie, 135-144. “Great American Novel, The,” 277. Great War, the, 259, 266, 267, 275. “Hand of the Potter, the,” 115. “Happy ending,” the, 14. Hawthorne, Nathaniel, wrote the novel of manners, 4; influence of Puritanism on, 12; resemblances to Freudism in, 31, 32, 36-42; attracted by problems of the inmost life, 32; his life, 33; his complex explained by his genealogy, 33; the paganism of his imagination, 33, 34; his women, 34, 38; his conscience, 34; haunted by the idea of crime and punishment, 34; moral paradoxes of, 35; as a psychologist, 36; analysis of his “The Scarlet Letter,” 36-45; his symbolism, 45, 46. Hecht, Ben, 271-274. Helvetius, 125. Hemingway, George, 270. Hergesheimer, Joseph, 22, 254. Herrman, John, 270, 270 _n._ Hester Prynne, in “The Scarlet Letter,” 37-45. “Hey Rub-a-Dub-Dub,” 74, 97; quotations from, 82-86. “High Place, The,” 224-231. Hilda, in “The Marble Faun,” 34, 38. “Holiday, A,” 255. Holmes, Oliver Wendell, his “Elsie Venner,” 110 _n._ “Hoosier Holiday, A,” 74, 88-93, 95-97. “House of Mirth, The,” 58, 59. “House of the Seven Gables, The,” the character of Phœbe in, 34; sin in, 34, 35; the character of Clifford Pyncheon in, 38; symbolism in, 45, 46. Howells, William Dean, 22, 54; his realism, 61, 62, 69; his limitations, 62, 64; divides society into two opposite classes, 63; his moral system, 64-67; his “A Modern Instance,” 64-66; his “The Landlord at Lion’s Head,” 66, 67; his ideals those of the sentimental middle class, 67-70; and Dreiser, 126, 127; the descent from, to Sherwood Anderson, 169 _n._; confusion between realism and fiction in, 201. Hugh McVey, in “Poor White,” 181, 182. Humor, American, 48; and irony, 224, 225. “Humpty-Dumpty,” 271. Hurstwood, in “Sister Carrie,” 103. Huysmans, influence of, on the American novel, 281. Idealism, American, buried in the grave of the Transcendentalists, 16; is largely manufactured by women, 21; dead in the American novel of to-day, 257; and utilitarianism, 258, 259; transcendental, 258, 259. Imagination, the rights of, claimed and defended by Cabell, 200, 201, 206; the expression of, 279. Imperialism, pragmatic, 259; mystic, 259. Individual and social ethics, 124-127, 130, 136. “Inevitable Equation, The,” 81, 97. Inhibited, city of the, 184.