The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
Dreiser’s philosophy may not be very cheerful, but it is genuine and
far more original than could be expected from a writer of fiction.
Spencer and Huxley--not to forget Nietzsche--robbed Dreiser of his
religious beliefs and left him in a quandary of philosophical nihilism.
A summary of his creed may be set forth about as follows: There are
only facts. The moral and religious interpretations of life are
erroneous. They fail to cope with reality. Dreiser is a self-confessed
agnostic. The key to the riddles of human destiny will be found, not
in metaphysics, but in bio-chemistry. Idealism is a lie. Dreiser
has called himself a man longing for poetry and at the same time a
materialist ardently enamored with life. He doubts, on the other
hand--to use his own words--whether a human being, no matter how poetic
of material he may have been, has ever thrown over the scenes of this
world, material or spiritual, a glance more avid and covetous than his
own. His challenge to idealism rests upon the feeling that there exists
a gap between reality as it can be observed and its interpretation
at the hand of the professional philosophers. He is ready to adhere
to principles and to accept interpretations, provided that they be
in accord with facts as scientifically determined. Meanwhile he sees
little proportion between the world such as it is, and the creeds
or systems imagined on its account. Our systems of thought belie
experience. Ethics contradict bio-chemistry. There are people whose
particular interest seems to be to disfigure things as they are, and to
present man to himself as being different from what he is in reality.
This is hypocrisy. Life is not a harmony but a struggle. Our existence
is a tragic conflict of forces, aspirations, passions and energies,
all excellent in themselves, but perverted by irrational repressions.
Let us admire Dreiser’s frankness on this point. Man, to him, is not
a pre-Raphaelite seraph dressed with wings, but a being of blood and
flesh. Like Whitman and Jack London, Dreiser is full of an orgiastic
enthusiasm for the human body. He cannot help reducing the moral to the
physical, the soul to the body, and translating psychology in terms of
bio-chemistry:
Public-domain text, read in full here on John Shaqi.
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