The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
This hero worship explains to us why Theodore Dreiser cannot refrain
from feeling some admiration even for such authentic villains as his
Frank Cowperwood. Biology and ethics play at the tug-of-war in his
novels. He cannot accept the criminal, but neither can he condemn him
without a mixed feeling of aversion and awe in the presence of his
strength. The call-of-the-wild lures him as strongly as it does Jack
London. He adores sheer force as an athlete does the sight of a perfect
figure, without any admixture of moral responsibility. He adores life
as what may be called the muscular display of passions. Without greed
and lust he gives us to understand that there would be no dramatic
pathos left in existence. So he wrote the epic of appetites unleashed.
In his novels Society arrayed with moral codes, judges, policemen,
jails and executioners plays the part of the Myrmidons in Homer. The
men of pluck and daring, the grafters, the forgers, and the like, stand
out like as many Achilles and Hectors. Passions and appetites, even
those condemned by the code, are the keys to human life. The truest
moments of life, although they may be the most tragic, are those
athrill with a great passion. Life is a perpetually self-renovating
process, the gushing-out of infinite forces hurled against all
barriers.[24]
This love of life as it is, along with Dreiser’s preference for the
bio-chemical point of view, must also account for the treatment of the
sexual problems in his books. Dreiser’s apparent cynicism on this point
is again that of the biologist. To detect the mysteries of sex he does
not need to turn to Doctor Freud. He brings everything to the surface.
Like Whitman, he sings a pæan to life in all its works. His pagan odes
to Life need only rhymes to be formal poems. Here is a hymn to the
Vital Force which betrays the true poet:
Life will not be boxed in boxes. It will not be wrapped and tied
up with strings and set aside on a shelf to await a particular
religious or moral use. As yet we do not understand life, we do not
know what it is, what the laws are that govern it. At best we see
ourselves hobbling along, responding to this dream and that lust
and unable to compel ourselves to gainsay the fires and appetites
and desires of our bodies and minds. Some of these, in some of us,
strangely enough (and purely accidentally, of that I am convinced)
conform to the current needs or beliefs of a given society; and if
we should be so fortunate as to find ourselves in that society,
we are by reason of these ideals, favorites, statesmen, children
of fortune, poets of the race. On the other hand, others of us
who do not and cannot conform (who are left-over phases of ancient
streams, perhaps, or portentous striae of new forces coming into
play) are looked upon as horrific, and to be stabilized, or
standardized, and brought into the normal systole-diastole of
things.[25]
Public-domain text, read in full here on John Shaqi.
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