The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
Bio-chemistry proves to be a more inhuman ethics than the ancient
_Fatum_ or Calvinistic predestination. The secret of our destiny is
written in our blood. We can resist neither our temperament nor our
instincts:
Each according to his temperament--that something which he has not
made and cannot always subdue, and which may not always be subdued
by others for him. Who plans the steps that lead lives on to
splendid glories, or twist them into gnarled sacrifices, or make of
them dark, disdainful, contentious tragedies? The soul within? And
whence comes it? Of God?
A dynosaur, we are told, possesses no more conscience than a lobster or
a squid:
That thing _conscience_, which obsesses and rides some people to
destruction, did not trouble him (Cowperwood) at all. He had no
consciousness of what is currently known as sin.[29] He never gave
a thought to the vast palaver concerning evil which is constantly
going on. There were just two faces to the shield of life--strength
and weakness. Right and wrong? He did not know about those. They
were bound up in metaphysical abstrusities about which he did not
care to bother. Good and evil? Those were toys of clerics, by which
they made money. Morality and immorality? He never considered them.
But strength and weakness--oh yes! If you had strength you could
protect yourself always and be something. If you were weak--pass
quickly to the rear and get out of the range of the guns. He was
strong, and he knew it; and somehow he always believed in his star.
This elementary psychology takes us back to that familiar gospel which
we used to hear from Jack London’s sea rovers. It is Nietzsche for
beginners. The human being would be too easy a riddle to decipher if
it were actuated only by lust and greed. Man in this case would not
be more interesting than, let us say, a Robot or a Ford motor car.
_Summum jus, summa injuria._ Dreiser’s psychology falls short. Frank
Cowperwood may be curious as an automaton; he is not interesting, even
as a rascal, despite his amorous adventures. Casanova was an artist in
philandering. Cowperwood was a machine, or, if you prefer, an animal.
Love is once more a branch of bio-chemistry for Dreiser. It is a blind
and purely animal impulse. It is good in itself like all impulses:
Whether we will or no, theory or no theory, the large basic facts
of chemistry and physics remain. Like is drawn to like. Changes
in temperament bring changes in relationship. Dogma may bind
some minds; fear, others. But there are always those in whom the
chemistry and physics of life are large, and in whom neither dogma
nor fear is operative. Society lifts its hands in horror; but
from age to age the Helens, the Messalinas, the Du Barrys, the
Pompadours, the Maintenons, and the Nell Gwynns flourish and point
a subtler basis of relationship than we have yet been able to
square with our lives.
Public-domain text, read in full here on John Shaqi.
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