The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
Such a society functions admirably in the large production of
cheap automobiles, dollar watches, and safety razors. But it is
not satisfied until the entire world also admits that the end
of a joyous purpose of living is to ride in flivvers, to make
advertising-pictures of dollar watches, and in the twilight to sit
talking, not of love and courage, but of the convenience of safety
razors.
The end of “Main Street” is disappointing. Carol Kennicott’s generous
plans for the reformation of Gopher Prairie failed and she confessed
herself helpless. She lost all hope in social improvement and bowed to
accepted standards without renouncing entirely critical sense. After
all, an intelligent and zealous woman can devote herself to many useful
tasks, even in a retrograde community. There is the home, the church,
the bank, the school. If things cannot be changed, they can at least be
studied. Carol decided to try to understand what she could not reform.
Her career ends in a compromise. She goes “round-about,” like Ibsen’s
button-molder. It is suicide by sociology. This is pathetic when one
remembers the romantic longings of the heroine of “Main Street.” A
poet was asleep in her and tried in vain to flap his wings. She had
a quick imagination and an inborn sense of the beautiful, like all
romantic characters. When, for instance, she presided over the meetings
of the Campfire girls of Gopher Prairie, she could hardly help wishing
to change her “personality picture.” Her imagination soared and she
believed herself among the Indians. Those common-looking girls on Main
Street became transfigured to her eyes, as soon as they had put on
their Sioux costumes. As Carol looked at them dancing and performing
the rites of the Redskin she felt as if she were one herself.[33]
Let him who doubts Carol’s kinship with Emma Bovary read the pages of
the book where she practices landscape gardening at the little station
of Gopher Prairie and Sinclair Lewis’ comments on her experiment:
She felt that she was scrubbing a temple deserted by the gods and
empty even of incense and the sound of chanting. Passengers looking
from trains saw her as a village woman of fading prettiness,
incorruptible virtue, and no abnormalities; the baggageman heard
her say, “Oh, yes, I do think it will be a good example for the
children”; and all the while she saw herself running garlanded
through the streets of Babylon.
Planting led her to botanizing. She never got much farther than
recognizing the tiger lily and the wild rose, but she discovered
Hugh (her son). “What does the buttercup say, mummy?” he cried, his
hands full of straggly grasses, his cheek gilded with pollen. She
knelt to embrace him; she affirmed that he made life more full; she
was altogether reconciled ... for an hour.
Public-domain text, read in full here on John Shaqi.
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