The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
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The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
_The Impression._—A diversity of opinion exists among good printers
as to the proper force of the impression: by some a heavy and solid
indentation of the paper is considered necessary; while others insist
that an impression which does not indent the paper is preferable. But the
indentation of the paper is no test of the force of the impression. A
light impression against a woollen blanket will show more forcibly than a
strong impression against a paper or a pasteboard tympan.
Type is worn out not so much by the _direct_ impression of the platen
or cylinder on the flat face of a form, as by a grinding or rounding
impression on the edges of the type, caused by the forcing of the tympan
between the lines and around the corners of every letter. Every fount of
worn-out type, whether from cylinder or platen press, has suffered less
from a reduction in height than from a rounding of the edges. When the
type is new and the tympan hard and smooth, the impression can be made
so flat that the type will not round at the edges, and the impression
will not show on the paper. But this cannot be done with old type or with
a soft tympan: the impression must be regulated to suit the tympan.
On fine work, a rounding impression should be avoided, as it not only
destroys type, but also thickens the hair-line and wears off the ceriphs.
It is not sufficient that the paper should barely meet the type: there
must be sufficient force in the impression to transfer the ink from type
to paper. If there is not sufficient impression, it will be necessary
to carry much ink on the rollers; and this produces two evils: the
type is clogged with ink, and the form becomes foul; too much ink is
transferred to the paper, which smears and sets off for want of force
sufficient to impress it in the paper. Distinction must be made between
a _light_ and _weak_ impression and a _firm_ and _even_ impression. The
latter should be secured even if the paper is indented; though that is
not always necessary. But a form of old type, a poster, or other solid
form, must have a _heavy_ impression, or else a very tedious and careful
making-ready.
_To set New Tapes._—Pass the tape around and close to the cylinder. Lap
it over one of the tape pulleys, and then pass it around the small guide
pulley on the shaft above. To increase its tightness, throw up the guide
pulley from the shaft, and set the binding screw more tightly. All these
pulleys are movable on their shafts, and distance between them may be
altered at pleasure. Let the tapes rest upon the outer margin of the
sheet, and see that the overlays on the tympan over which the tapes pass
are of equal thickness; if not of equal thickness, the sheet will wrinkle.
Public-domain text, read in full here on John Shaqi.
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